Marvelous McNeil's Mad Martian Movie Musings

Anyway, McNeil wrote to say he recently watched the brand new UFO documentary that, I assume, has the very nation abuzz. I said oh, should I watch it, and McNeil said no. His favorite part was how the interviewees were placed in settings that, to quote McNeil, "were all different, but they were all very Dino-ish. Cozy. Sophisticated." With the characteristic adjective "Dino-ish," McNeil alludes to 20th-century entertainment icon Dean Martin. McNeil went on to note that one interview subject was not afforded the same luxury as the others. He, to again quote McNeil, "was in a black t-shirt in front of a chalkboard. Walking around a lake, alone, cold, hands in pockets. Sitting at the foot of some national monument - alone. Hahaha."

The Lonely Pelican

You know how I have books just thrown strategically all around the house so I can pick them up wherever I am and fill my noggin with the interesting thoughts that make me so special. So yesterday I read parts of two different books, one a... oh, let's call it an "impressionisitic literary collage"... and the other a crime thriller. And they both mentioned Gogol! You can imagine how I ran around the house waving my hands in the air. Imagine it, I said! But I don't care when a book has Gogol in it. I only care when a book has an owl in it. And you'll say this is cheating, but while reading about Mary Sidney in that Million Dollar Book Club selection, I grew interested in how she translated the Psalms into rhymed English poetry, finishing a project begun by her famous brother Philip Sidney, who had died when... oh, I can't remember. I think he forgot to put armor on his knees when he went into battle? Don't quote me on that! You can look it up and tell me how wrong I am. So, as I say, you'll call it cheating, because I went in knowing that the one psalm I love to babble about all the time has an owl in it. The one that in my King James Bible goes "I am like a pelican of the wilderness: I am like an owl of the desert." Well! In the Sidney version it goes "And so I bray and howl,/ As use to howl and bray/ The lonely pelican and desert owl,/ Like whom I languish long the day."

My Five Skeletons

I'm sure you obsess about it all the time: how, at least once a decade and a half, I open some book of symbols or another and a mysterious card falls into my lap. Well, the last time that happened ("click" previous "hyperlink"), I went to the "website" of the mysterious organization who had placed their mysterious card in my mysterious book of mysterious symbols and interacted mysteriously with it. Are you still with me? Okay! Hang on! Remember yesterday? Remember how I "blogged" about a singing skeleton who is also a plastic toy filled up with air like a balloon? So, I "posted" that, and then I checked my electronic or "e" mail, and I had received, at exactly the same time, a promotional communication from the mysterious organization! And its subject line was "Archetype in Focus: Skeleton." WHAT! Then I calmed down and thought about it. Of course, the mysterious organization associated skeletons with October, just as I had. It was no warning from beyond! However! Let me draw your attention to the fact that my previous four "posts" - five, including this one - bear the label "skeleton." (And here I have to parenthetically state that if you exist, which you do not, and you access the "blog" by means of your phone rather than your home computing system, you don't get all the enticing extras, like skeleton labels.) I know what you're going to say now, but cool your jets, David Hume! Sure, maybe I've got skeletons on the brain! Or do I? For as a little investigation will prove, I use the label "skeleton" pretty dang loosely. Why, it could refer to the spine of a book, or to Chili's famed baby back ribs, dripping in their succulent juices. CASE CLOSED. Oh, wait! I wanted to quote this from that Colm Tóibín novel about Henry James: "a huge, obscure shape in the night, an angry, broken, pecking bird of prey, squatting in the corner, ready to take him, all black spirit, yet palpable, visibly there, hissing, come for him alone." But I don't think I can fairly pretend that this hissing bird of prey was an owl. The person suffering the unfortunate vision, which is certainly in tune with our Halloween season, is Henry James's father, whom "blog" readers may fondly recall as the man who wouldn't let tiny Henry James read a sexy book about hot corn. Wow! That made me think of something else: the book HOT CORN, with its depiction of hapless "hot corn girls" - with whose travails tiny Henry James was never allowed to familiarize himself - inspired me whilst happily I toiled on Julia Pott's show SUMMER CAMP ISLAND. I include above, at the risk of exploding the "blog," a title card from the show, manifesting that inspiration. I'm not sure who drew it. I'll ask Julia, and credit the artist in the near future! PS Julia already responded! She had plenty of time, because I finished watching von Stroheim's GREED, ha ha, before finishing this "post." I say "ha ha" yet my statement is true. The artist is Yoriyuki Ikegami.

Socks Are the New Beans

Thank God for McNeil! How many times have we all said that, or at least felt it in our bones? In this instance, I am saying it regarding his relatively lonely position as an expert on the "blog." If McNeil didn't "click" on our forgotten "links" in a cold, scientific quest for knowledge, he never would have noticed - as he did just last night! - that an old one, shrouded in the impenetrable haze of the "blog's" very beginnings, had become outdated, and what once had been but an innocent "link" to a fan site for a beloved literary figure I hesitate to name, so as not to drag him into all this, had been taken over, at some point, by a saucy "internet" purveyor of sexy shenanigans I hesitate to describe. So much makes me hesitate these days! Suffice to say, the "website" in question, according to McNeil, though he did not use the following comparison, sought to do for socks what an Andy Warhol novel I read did for baked beans. Back when I made the ancient and troublesome "post," back when the "link" I provided was quite free of such carnal associations, I myself was but a blushing dewy apple-cheeked lad of a mere 43 years of age, and I could not imagine that the "internet" was such an impermanent thing, subject, as we all must be, to the ravages of time, or that devious forces - robots, most likely! - might comb the "web" for dead "links" to replace with their own sinful robot dreams of how sex probably works. Speaking of the ravages of time, three years ago, I thought of a solution to this problem, at least as it pertains to this "blog," but implementing it thoroughly would require effort, and effort is not a thing to which I am currently inclined. So what I am saying is this: just watch out, that's all. No, no, I'll get around to it. I'll fix everything! You just sit there and I'll fix it all. Don't you worry about old Jack.

Look

I gave updates on this story on social media, back before I quit it like the biggest hero this world has ever seen. Somehow, though, I never mentioned it here, in the lonely spot that no one ever visits. But around 10 years ago, my dad started to spend most weekends building a car from scratch, a car that came from his own brain. I'm not sure I'm getting this across. Like, first there was nothing. Then there's a bolt or a screw or a spark plug, and eventually there's a whole engine, and then, bit by bit, there's a car around it. He just decided to make a car, and he made a car. And now (see above) it's almost finished! Furthermore, he's going to race it, an idea I can't say my mom is too thrilled about. I mean, I'm 60, so, if you think about it, you'll come to the conclusion that my parents are older than me.

The Four Owls

I am under no obligation to tell you this, but THE SONG OF THE LARK had four owls in it. The first, as we have seen, was dumbfounded by sunlight, which is excusable for an owl, I think. Another owl with eyesight problems comes next: "He stood still, blinking like an owl at their two heads shining in the sun." Okay! Next comes - and this will be a paraphrase, for I can't find the page - a guy telling another guy, "A man would have to be an owl to live like this, all alone." That's pretty close. I'm sure Willa Cather said it better. Finally, one character describes another in this manner: "as stupid as an owl and as coarse as a pig." Altogether, not a flattering portrait of owls in this book.

Getting Nowhere

Last night I was watching NONE BUT THE LONELY HEART and Cary Grant and Barry Fitzgerald went to a bar. Cary Grant started playing the piano while Barry Fitzgerald sat at a two-top, placing stray bits of loose tobacco into a sort of little funnel on a machine, which seemed to be an amenity of the establishment. From the bottom of the machine protruded what appeared to be a freshly rolled cigarette. "Hmm," I thought to myself. "I recall writing a book about cigarette lighters, and in one part I discuss the personal cigarette-rolling machines of the early twentieth century, as opposed to the industrial cigarette-rolling machine, first perfected in 1880 by James Bonsack, which I also discuss. Honestly, I had no idea what I was talking about. Yet I can't help but wonder with my curious mind whether Barry Fitzgerald is using one of the former in this scene!" Well, friends, I hopped on the old computer and did some research. Yes, I did some research for about an hour, getting nowhere, and then I remembered, hey, your stupid book came out four years ago, who cares?

Important New Project

You know, in these crazy times of isolation we need something to keep our brains working. So, I was watching CACTUS FLOWER and - no offense to this gentleman (above, left) - I thought the actor playing Goldie Hawn's neighbor simply wasn't of the caliber of the rest of the cast. Even the smallest parts were filled by great character actors like Vito Scotti. So I set myself the task of figuring out who should have played Goldie Hawn's neighbor. My thoughts went immediately, as they do, to Jim Hutton, but he's about five years too old, and way too tall. Next, Rip Torn entered my mind... an unusual choice, you will say, but I recalled him as Bob Hope's romantic rival in CRITIC'S CHOICE. He's even older than Jim Hutton, though! And they're both sadly deceased, which is beside the point. Well, I've got McNeil, Jimmy, Bill, Megan, and Ace working on this. I'll let you know what happens.

Door Trouble!

Well, you know I don't "blog" anymore, but I usually tell you if I go to Los Angeles and all the wonderful things that happen there in the magical city of broken dreams. I went to Los Angeles recently, but much of the "material I gathered" is going straight into a secret project I'm working on with McNeil for actual publication. And the rest, well, I thought about using the "interesting details" in a novel, but then I thought, oh, that sounds hard, writing a novel, maybe I won't do that. 1. Scallops at an Elvis-themed hotel. Does that sound like a good idea? Ordering scallops at an Elvis-themed hotel? As you know, I often stay in Memphis the night before a flight, for easy access to the airport. And sometimes I stay in an Elvis-themed hotel. And this time I ordered scallops, which, even as I was doing it, seemed like the last thing a person should order at an Elvis-themed hotel. Well! I'm still here. The scallops had an aggressively candied flavor. 2. At the Elvis-themed hotel, my hotel door wouldn't shut all the way! Well, I put on that latch thing they have at the top of many hotel doors and hoped for the best. 3. I lost my favorite pen somewhere in Los Angeles. Almost immediately! Why bring your favorite pen on a trip? On the other hand, why settle for a less-loved pen? Don't you want to feel happy? A grown man ought to be able to keep track of a pen. Should a person of a certain age, however, have outgrown notions like "favorite pen"? 4. By a weird coincidence, I was in town on a national holiday, just as it occurred in 2015 (please do yourself a favor and "click" here for corroboration), so the office was closed on Monday, and I found myself in the EXACT same bistro in which Kent and I had a green chartreuse before going to see 50 SHADES OF GREY together at the movie theater next door, so I had a green chartreuse in Kent's honor, though Kent lives in Vermont now, and I was all alone, it was a desperate sight, let me tell you, drinking a green chartreuse all alone and thinking of Kent. 5. "My twin will hug me... sometimes." - Hilary Florido. 6. Dan Tana's, just the place for dinner with my brother! I got there a little early, so I sat at the bar waiting. I listened to a guy who seemed to be on a first date telling a woman that he was directly descended from William Bradford. He was telling her all about what kind of wine to order after her martini. A Malbec will be velvety and heavy, but without the tannins of a cabernet, he yammered. Whereas a "pinot" will be "fluffy." See? This could have all gone in a novel. Anyway, it wasn't a first date, because he suddenly asked, "What's your name?" She said her name was Lurleen, a name I know because it was the name of the wife of the awful governor of Alabama, George Wallace, who briefly became governor herself, and I was born in Alabama, so we know the name Lurleen. But this guy was enraptured. "WHAT A BEAUTIFUL NAME!" he rhapsodized. Ha ha! If this were a novel I couldn't use the word "rhapsodized." I'd be kicked out of the novelist club. Then he said something that surprised me: "My wife's name is Melody." I didn't see that coming! But he was still trying to pick up Lurleen, I'm pretty sure. "WHAT ARE YOUR PASSIONS?" he oozed. Ha ha, I hate my verbs today. I hate them so much that I sort of love them! She said she liked to paint and what do you know, this guy's brother is a famous artist! "I could do you a lot of favors in the art world," said the putative descendent of William Bradford. "And do you know why? Because my brother loves me! HE LOVES ME!" How the rest of the story went, I just don't know, because my own brother showed up, speaking of brothers, and we were escorted to our table. 7. As my brother and I were eating I glanced up and thought I saw Thomas Middleditch, star of TV's SILICON VALLEY, sitting at the bar. I asked my brother, "Hey! Is that that guy?" My brother said I had to be less obvious so he could find a reason to stare inconspicuously. So I looked in the opposite direction, which frustrated my brother! "No, you have to look in sort of the SAME direction!" he said. So I looked at the TV over the bar, where there was a car race going on, which seemed like something a person would look at, and my brother was able to stare properly at the person whom he indeed confirmed to be Thomas Middleditch. 8. But then, later, out on the sidewalk, after dinner, we seemed to be walking behind that same guy, and I humorously remarked that he would think we were stalking him. "That's not the same guy!" my brother said. I insisted it was the same guy who had been sitting at the bar. "He's wearing the same suit!" I said. "Yes, he's wearing a black JACKET!" my brother replied dismissively. Trouble in the family! So I thought the guy had never been Thomas Middleditch, and my brother thought the guy sitting at the bar had been Thomas Middleditch and this was a different guy we were looking at now. I suppose we'll never know, unless Thomas Middleditch gets in touch. I will just say that the guy at the bar, whom we both took to be Thomas Middleditch at the time, was really making a meal out of his knuckle. He was gnawing ravenously on the knuckle of his right forefinger like there was no tomorrow! 9. Reading a book in translation and the translator uses "trooper" when he means "trouper." How can I trust him now? 10. Back at the hotel in Burbank, I returned to find my hotel room door cracked partly open! If you will glance up at #2, above, you will see that a theme for the trip had formed! I gently and suspiciously pushed the door the rest of the way open, like a person in a movie would do. Nothing was amiss. 11. Cole Sanchez taught me the word "subluxation," meaning a hyperextension of the joint, and I asked him what a hyperextension of the joint was and he said it was when he, Cole, made someone's elbow or knee go in the direction it doesn't want to go. Ouch! It's all part of of what I believe he called "Brazilian jiujitsu," which he practices. He also told me about choking people until they pass out. Don't get me wrong, it is another move in the same sport! "They can submit," he explained, meaning that the person can tap out before they become unconscious. I asked whether there were people who refuse to submit and Cole said that yes, some people are so annoyed that you got past their defenses they would rather just let you choke them unconscious than undergo the humiliation of submitting. 12. I went to see Dianne Wiest performing her magnificent and inexhaustible heart out in Samuel Beckett's great play HAPPY DAYS. I made up a funny blurb for it: "It's a different kind of 'Cheers' for THIS Sam and Dianne!" I eavesdropped on the people sitting in front of me. They have stopped eating octopus because they met a really smart octopus. The guy had a long gray ponytail and was wearing a bracelet that said "RESIST!" Anyway, it's funny because Julia Pott had just been talking at dinner the night before about not ordering the octopus for similar reasons, though to my knowledge she has never met an octopus in person. I'm skipping over most of the dinner with Julia because it's going undiluted into my project with McNeil, alluded to in the introductory paragraph above. 13. During the Beckett play, a certain segment of the audience would go HA HA HA HA HA HA HA HA HA HA HA HA! whenever Dianne Wiest, as the character Winnie, said something like, "One forgets one's classics." HA HA HA HA HA HA HA HA! "One forgets one's classics." HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA HA! They were laughing like it was the farting scene in BLAZING SADDLES. Naturally it made me think of what Kierkegaard said about farce, which makes me no better than them. 14. There was a guy in the hotel bar two nights in a row who also laughed HA HA HA HA HA HA HA HA HA HA HA, but I don't know what about. His laugh suggested he was either an opera singer or Paul Bunyan. Booming, highly articulated and distinct HA HA HA HA HA HA HA HA HA HA HA HAs. He really pronounced each HA. "Boy, that guy really enjoys life," I said out loud to myself, bitterly, alone at the hotel bar.

Don't Take Advice From an Owl

Easter is big! People love to go out and have a nice dinner the night before Easter, probably, and one such person is Ace Atkins, I guess. Look what he saw on the wall of a restaurant: some sort of dish towel with advice on it. If you ask me, an owl supposedly giving you advice (the theme of the dish towel in question) is just distracting you in preparation for an attack with its razor-sharp talons and bone-crushing beak. Also, some of this stuff isn't what I think an owl would say. Like, does an owl have friends? Not to mention which, some of it is not technically advice. I hate to be so critical of a dish towel.

Big Dorrit

I was right: LITTLE DORRIT has an owl in it. Big Dorrit chides Little Dorrit like so: "It's no use staring. A little owl could stare." So I was also right in my groundbreaking prediction that owl eyes are shaping up to be the dominant symbol of 2018. Put it in the bank! I am sorry it took me so long to get to the owl. I just have so many celebrity tell-alls to read with Megan Abbott (next up, Joseph Cotten! Say... did you know Kent Osborne once drove Joseph Cotten's widow in a limousine? But that's another story). I would like to say that Little Dorrit's sister is not really named Big Dorrit. I just put it that way for your amusement. One book that happily interrupted LITTLE DORRIT was THE LONELY WITNESS by Bill Boyle. I'll be "in conversation" with Bill (that's WILLIAM BOYLE on his book covers!) at Square Books on May 2, when THE LONELY WITNESS comes out. Don't worry, I'll remind you!

Waiting For Stuffy

I can't speak for Lee Durkee, but I don't think he entirely approves of my idea to watch all of GREEN ACRES chronologically from the beginning, especially when there are so many prime nuggets to be had by skipping bravely around, the way Julio Cortazar would want us to do. Evidence from a recent communique indicates that Lee has been experimenting with just that method on his own. Lee reveals, "there is a magic realism scarecrow named Stuffy whom Eb interacts with and who at one point leaves his post in the field to go get Eb a hamburger (spoiler: he forgets the ketchup!)." Meanwhile, my lonely search for the exact moment that GREEN ACRES becomes GREEN ACRES continues. Or will it occur so slowly that I can't see it happening, like the opening of a crocus? Or I don't know, is it easy to see a crocus opening? Never mind. I feel bad for Bill Boyle, a GREEN ACRES neophyte whom I forced to watch some early episodes. "I didn't know this was what GREEN ACRES was like," Bill said, as ever a good sport. Well, it's not what GREEN ACRES is like! Bill compared it to THE MONEY PIT and the Chevy Chase vehicle FUNNY FARM. Fair enough! But mortifying to my honor when I had falsely promised the second coming of VIRIDIANA. Bill may never come back to the house again. Once Dr. Theresa and I started watching DEADWOOD, I was able to note the close kinship between the dissembling, painfully transparent, nosy, avaricious, irritating, and oratorically inclined Mr. Haney and his direct descendent (ancestor?) E. B. Farnum. Continuing a line of thought, I guess, the first season of GREEN ACRES is like THE WIRE. It takes Oliver at least nine episodes to decide what he's going to plant in his field. (See also.) Then they spend two or three episodes explaining how the generator works. Doesn't that sound like THE WIRE to you? Very patient, procedural and detailed, with long arcs. But not the GREEN ACRES I remember. In episode 10, Lisa does leave a note for a chicken, to which the chicken seems to respond, but I'm still not convinced we have reached a true level of GREEN ACRES. [Episode 14 establishes beyond doubt that Lisa can communicate with chickens. - ed.] In episode 12, Eb reads a note from Lisa aloud and Lisa's voice inexplicably comes out of him. So I'm tempted to believe we're almost there! I'll let you know when we arrive. Let me remark on a deficiency of this GREEN ACRES box set. It is not formatted for our rectangular television sets we all enjoy today thanks to marvelous advances in science and technology. Rather than seeing our TV pals in their proper aspect ratio, they are made to fill the screen unnaturally, to their aesthetic detriment, a fear addressed by an especially prescient protagonist created by yours truly for my delightful and universally beloved short story collection MOVIE STARS:

In conclusion, I should note that Arnold the pig turns on a TV set in episode 15, which astonishes Oliver, but not me, not sufficiently, being no more than any reasonably intelligent, non-surreal, everyday pig could do.

Notable Uptick In Owl Eyes

Did you know that Hume Cronyn grew up fabulously wealthy? And that he had a brother named Verse who was hit in the head by a cricket ball to less than salubrious effect? Well, you would if you were reading his memoir! But why would you? You wouldn't! Not unless you were joining Megan Abbott and me in our endless parade of show-biz celebrity tell-alls. I've skipped telling you about at least two of the books in the series because they did not have owls in them and now you'll go to your lonesome grave without knowing. But more importantly, young Hume Cronyn moves from Canada to New York City to make it as an actor, and though he has great big bundles of cash to throw around on orchids, he repeatedly lectures his less solvent roommate on the advantages of thrift. "He'd listen to me owl-eyed and impervious," Hume Cronyn reports. It occurs to me that three of the books I have read since September have owl eyes in them - and not even literal owl eyes at that! - instead of whole owls. It's a hot trend to look out for in 2018: owl eyes.

The Tinder of Our Wishes

Hey remember when my book about cigarette lighters came out? Me neither! But for a while there I would see something and think, "Oh, I should have put that in my cigarette lighter book. If only I had known!" But after a while you stop thinking that because you'd go mad. Mad, I say! But I just read AGNES GREY. To my surprise there were no owls in it, because those Brontë sisters are usually reliable purveyors of literary owls. The closest we get are some rooks who fly away as the sun sets: "For a moment, such birds as soared above the rest might still receive the lustre on their wings, which imparted to their sable plumage the hue and brilliance of deep red gold; at last, that too departed. Twilight came stealing on..." And I was like, "Oh, boy! Here come the owls." But there were no owls. Here's what Anne Brontë DID have: something I would have stuck somewhere in my cigarette lighter book, had I read it in time... "the flint and steel of circumstances are continually striking out sparks, which vanish immediately, unless they chance to fall upon the tinder of our wishes." I also enjoyed (this is unrelated) her elaborate conceit on the subject of a lonely glowworm. Anne Brontë is in great sympathy with nature. The same cannot be said for Arnold Schwarzenegger, I fear. We watched most of ERASER last night. You know, Dr. Theresa and I saw it in the theater when it came out, and I associate it with the very earliest years of our marriage. I did not recall the part in which Arnold is being pursued through a zoo by some bad guys, so he shoots out the glass on a tank full of alligators, and the alligators immediately begin eating the bad guys. "Don't they feed these alligators?" I wondered. Actually, what I wondered was "Don't they feed these crocodiles?" But I decided later that they were supposed to be alligators, for reasons that will soon become clear. So after the alligators eat the bad guys, one of them gets after Arnold, so he shoots it in the head. Hey, these alligators just helped him out! And isn't he responsible for them now? Doesn't he realize their terrible irony? But no, he just says, "You're luggage." That's what he says after he shoots the alligator. I found it unnecessary! First of all, the alligator is already dead. Second of all, even if the alligator was alive, it wouldn't be able to understand what you were saying. Third of all, why are you gloating? Even if forced into a situation in which she was required to kill an alligator (there is some arguable precedent in AGNES GREY), Anne Brontë never would have gloated about it! Fourth of all, why are you staying and making wisecracks to a dead alligator when there are more bad guys coming? In any case, his remark was in extremely bad taste. I decided they were meant to be alligators because I believe shoes and belts and boots and suitcases are traditionally made from alligator hide, not crocodile hide. I don't know the difference. I must sadly conclude by noting that Arnold Schwarzenegger appears in my cigarette lighter book more than once, poor Anne Brontë (as noted) not at all.

Familiar Barn Fight

As you know, I never, ever "blog" anymore unless I read a book with an owl in it or for some other reason. But now I have decided I can "blog" about the TV show THE BIG VALLEY whenever I want. Spurred by Laura Lippman's description of it as "gloriously weird," I decided to revisit THE BIG VALLEY, or maybe just to visit it, because I really couldn't remember anything about it. I remembered a promo in which they put a lot of reverb on the announcer when he said the title: "THE BIG VALLEY-ALLEY-ALLEY-alley-alley-alley!" And I remembered, from the same promo, the description of Barbara Stanwyck's character as "Victoria, a woman of backbone and bite!" All I can say is that was a pretty good promo if I still remember it from when I was a kid. So I watched some of THE BIG VALLEY. When a fistfight started raging in the barn, I thought, you know, maybe I did watch this show when I was a kid, because I felt secure in the knowledge that this was a staple of the show, it was all coming back to me, regular fistfights in the barn. But I can't be sure! I think there was something on the other channel I liked better. But here are some things I observed: 1. It all starts with one of the brothers on a bridge and here comes Lee Majors from the other direction and neither fellow will back up his horse to let the other one pass. So they literally just sit there looking at each other until the bridge falls down! I can't say much for the infrastructure. 2. The introduction of Barbara Stanwyck's character. She swoops into the room where her sons are standing and says (I paraphrase, but only slightly), "You're putting on weight, must you shout, here comes a visitor, I'll see you at dinner." And then she's gone. Like she was never there! She spits it all out like a machine gun and disappears in a flash. I thought maybe she was like Fred MacMurray, who supposedly used to come in and sit in a chair for one day and say all his lines for an entire season of his sitcom MY THREE SONS then get up and put on his hat and leave and they had to shoot around him for the rest of the year. My friend Ward McCarthy told me that about Fred MacMurray and if it's not true it's my own fault, because maybe I'm remembering the details wrong and I'm just too lazy to look it up. 3. Lee Majors kneels down at a lonesome grave (the patriarch has been plopped into the ground in the middle of nowhere, right where he was killed, not unlike the sad case of Meriwether Lewis) and then a young woman rides up on a horse and just casually leans down and starts striking Lee Majors wildly and repeatedly in the face with a leather strap, and she doesn't even know him! That's his half-sister, I guess, as they discover later, but there's an extremely weird vibe they've got going on (pictured). In fact they started making me think of Heathcliff and Cathy a little bit, and Lee Majors's name on the show is Heath, so I wondered whether that was on purpose, but my research methods (as noted above) are far too lazy to confirm or deny. Still, Heath is the brash, mysterious outsider who disrupts family life... for instance when he steals some apples! He's just walking around, trespassing, going through their stuff and finally taking an apple and Victoria catches him. So he takes off his hat. And I thought, oh, this brash, mysterious outsider is going to be respectful for a change! We're about to see the tender, gentlemanly side of this brash, mysterious outsider! But no, he was just taking off his hat to cram it full of all the sweet, sweet apples he could carry. And I was like, gee, Lee Majors sure has a hatful of apples now! He's going to have quite a night eating apples. Meanwhile, Audra (Linda Evans) gets a lot of use out of her leather strap, often with good reason, because they seem to live in a nightmarish hellscape. Right now everyone is shooting each other and I haven't even made it to the end of the first episode yet.

The Powerfully Spiced Sausage Meat

Bill Boyle got me reading these stark novels of Osamu Dazai. I read two of them and neither one had an owl in it, as far as I could tell. But as you know, I also like books with gelatin in them, especially Jell-O. (See also.) But I'm not "blogging" anymore, so I can't just "blog" about any old thing anymore, especially seeing as how I don't "blog" anymore. But there was this interesting jelly sequence in this one Osamu Dazai novel: "Oh, I'm sorry. Have you made jelly? That's terrific. You shouldn't have bothered... it would be wicked not to eat your wonderful jelly... It tasted watery, and when I came to the piece of fruit at the bottom, it was not fruit after all, but a substance I could not identify... as I manipulated the peeling lacquer chopsticks to eat my jelly, I felt unbearably lonely." It really made wonder about the particular kind of jelly being discussed, but not enough to look anything up. And I couldn't just "blog" about that! But what if there were TWO books with gelatin in them? Suddenly we would have a theme going! Such a possibility did not even occur to me, frankly, but then there I was in Square Books all of a sudden, and hey! Do you know about this "Constant Reader" program they have? Well, it's not my job to explain it to you. But sometimes you get a free book. And I had this little slip of paper in my wallet entitling me to a free book. And that's when I saw what I didn't even know I needed, inconspicuous on a back table: the recently discovered novel by Walt Whitman. So I got it for free. And I meant to open it to the beginning but somehow it fell open to page 10, which catches Whitman mid-phrase: "preferable to some, is the powerfully spiced sausage meat, or the jelly-like head-cheese." Now we're getting somewhere! PS: Prayer works! After composing the bulk of the above, but leaving a few gaps to fill on my return, I went off to visit my mom and dad for a few days. I took with me a biography of Howard Hughes that Megan and I are reading. In my few free moments, I read some of it, which is how I came upon "Charles W. Perrelle, the able vice-president of production for the Consolidated-Vultee Aircraft Company," who was, somehow, in the eyes of the authors, both a "boy wonder" and an "owlish-looking man." PPS! Not to put a cherry on top, but when I came home I watched the most recent episode of Pete Holmes's show CRASHING, which I had set to record in my absence for just that purpose. The song over the closing credits was "Sometimes I'm Happy," as performed by Jerry Lewis. Life seems to be at its peak.

The Original Skeeky Kid

Megan Abbott and I have been reading lots of books about movie people together. We read some books about Orson Welles, then we read about Walt Disney, then Bunuel's autobiography (first recommended to me by Bill Taft), which, to my astonishment, did not have an owl in it, though there were rats and spiders and one or two bats and hair growing out of cracked-open tombs. And those were just his childhood memories! As you know, I don't "blog" anymore unless I read a book with an owl in it, and that brings us to MY SIDE by Ruth Gordon, which Megan and I are reading now, in which a certain Miss Jerome is described as a "five-foot, brown-haired, brown-eyed, parchment-skinned ninety-pound replica of a hoot owl." And that's Ruth Gordon just getting warmed up! I'll tell you one mysterious word she likes to employ: "skeeky." Even Megan, who loves to do research (remember when she found out all about "friendship clubs"?), had trouble tracking down examples. I looked in my GREEN'S DICTIONARY OF SLANG, VOL. 3, P-Z, and found only "skeek," with examples drawn from the early twenty-first century, which seems to be directly opposed to the way Ruth Gordon uses "skeeky." Skeekiness, in Ruth Gordon's usage, is a condition to be desired. The only helpful example Megan could find comes from a magazine short story from 1915: "he spilled a line of bunk about her being the only and original skeeky kid." This fits nicely within the time period that Ruth Gordon is writing about when she uses "skeeky." So! Now that I've got you here and I read a book with an owl in it, I can tell you about an unrelated matter that has been on my mind. I watched the Welles version of THE TRIAL, and it pretty much ended with - SPOILER! - Anthony Perkins alone on a desolate shore with a lit bundle of dynamite. And that reminded me of PIERROT LE FOU, which also ended with its isolated protagonist standing in a lonely spot with a lit bundle of dynamite. And then BANG! Is this a genre? I think I need to find a third example before I can say it's a genre. Oh! While I was watching THE TRIAL, Megan happened to tweet - not knowing that I was watching THE TRIAL - that it was Jeanne Moreau's birthday. And then there she was in THE TRIAL! Jeanne Moreau, I mean. And there I was not knowing it was her birthday. And just about the first line she has in THE TRIAL is, "If you're stuck for something to say, try happy birthday." Isn't that a weird coincidence? Well, I thought it was a weird coincidence. Okay, I'll see you next time I read a book with an owl in it!

Colors That Don't Have Names

I've seen a lot of interesting things about lighters lately but I'm not even going to tell you. Remember when I wrote a book about cigarette lighters? And then occasionally I would run across some tidbit I was sad not to have put in the book? Well, as the months advance, my feelings of urgency grow remote. BUT! I was watching PARIS HOLIDAY yesterday and Anita Ekberg cozies up to Bob Hope and asks for a light (as a pretext for picking his pocket). "If we were any closer, we wouldn't need the lighter," cracks Bob. And I know if I had seen it in time, that scene would have gone straight in to my lengthy section on sexual aspects of cigarette-lighting - ha ha, yes, my nonfiction book about cigarette lighters is just as thrilling as it sounds. Now I will change the subject! But I will return to the subject. PARIS HOLIDAY has a scene in which Bob's head appears in the business end of a guillotine. So often his movies contain a fantasy of official (usually public) execution, whether by axe, noose, electric chair, or some other means. I'd bet a million dollars he faces a firing squad in one. What's going on, Bob? I'll say again that somebody should write a paper about it but I'm too tired. Speaking of gruesome scholarly papers, I had an email from Liam. He has moved away, so he caught me up on some of his recent activities: "I was going to medical history lectures where I learned about 'mumia' (which, as you may know, was a cure-all made from mummies) and about people who thought/think that people can't see colors that don't have names." Later in our correspondence he sent me an extraordinarily gruesome article by the person who had lectured on "mumia." AND! It contained more than one point very relevant to my cigarette lighter book, particularly clarifying or confirming some of the more harrowing tales of terror that Ted Ballard told me in his metal barn filled with his collection of 30,000 lighters on a lonesome stretch of road in Oklahoma. I can't "link" to the article because it's just too gruesome. And I can't quote from it because quoting from it without "linking" to it would be rude.

People Alone in a Room

I don't suppose any of you will ever forget late 2013, when I read in that Norman Mailer biography that Norman Mailer thought the Twist was "evil." Well, some of that leaked into his CIA novel, I tell you. Now, you should never, ever confuse the narrator with the author, but I'm reading this part where the narrator is at a party on the eve of Kennedy's election and everyone is doing the Twist: "I thought it was strange in the extreme that the dancers did not hold each other but stood apart and rotated their hips like people alone in a room leering into a mirror." Ha ha, Norman Mailer really hated the Twist! (See also, the time Lyndon Johnson was doing the Twist and fell on somebody.)

Why Music Boxes Are Creepy

A strangely frequent reason that people visit this "blog" is to search for an answer to that (apparently) eternal question "Why Are Music Boxes Creepy?" I feel bad - guilt-ridden, truthfully - because that old "post" to which they are so often directed (you'd be surprised how many times a day people want to know why music boxes are creepy) is misleading. Some kid had written in to me with the idea that "Maybe music boxes are creepy because they are a purposeless vestige of Europe's aristo-centric period." And I quoted him in that "post" much too approvingly. Of course that's NOT why music boxes are creepy. Nor is this kid's highfalutin statement true in almost any way. Music boxes, for example, aren't any more "purposeless" than anything else. I gave that kid too much of a pass! I was trying to be nice. But now, all these years later, sad people who want to know why music boxes are creepy look to me for answers (several times a day, bewilderingly) and get nothing! And that kid is six years older now, so I suppose he can handle the truth that his big theories are full of beans. People aren't watching a movie about a dark house where a music box starts to play in the dead of night and the hair rises on their arms because they are suddenly reminded of "Europe's aristo-centric period"! Sorry to be so harsh! But you, theorizing kid, are probably at least 28, I'm going to guess, whoever you were, a full-grown adult by now who can accept the facts! I suppose music boxes are creepy because they are light and tinkly, for one thing. Scary noises in literature often start out soft... the rats scratching in Lovecraft, the beating of the telltale heart in Poe ("such as a watch makes when enveloped in cotton")... soft music is scary at night... whistling, like in M or THE STEPFATHER... some awful killer is always humming softy to himself as he sharpens his instruments... also, music boxes are meant to be activated by the human hand (might be thought of, in fact, as an "alarm" of sorts... did people place diamonds and gold in them for this reason? Someone else may feel free to research the matter), so if you suddenly hear one in the middle of the night, when everyone is supposed to be asleep, something is wrong... like the record player and the wind-up toys and such in CLOSE ENCOUNTERS OF THE THIRD KIND... music is a human endeavor, and maybe the mechanism IS an unwelcome (creepy?) reminder that our works can go on without us. And of course the kid from the old "post" WAS sort of onto something... in that a music box is a form of entertainment that a ghost might find comforting. Like, "I remember these!" Yes, just the sort of sentimental object to which a poor dead ghost might be attracted... a private, lonely entertainment even in life... so personal, maybe you shouldn't be overhearing it... a box to receive a particular soul... like a coffin... and yes, it IS a voice from the past, with a limited vocabulary. It can play only one thing... over and over... like a ghost... like the obsessive thoughts of a madman... like me... like that dude in MOBY-DICK... and slowing down, little by little... I was having drinks with Lee Durkee and he mentioned how music boxes are always slowing down... Sometimes they wind down unresolved, like life. There's nothing tenser in music than the "suspended fourth"... that's where the power of the music box's creepy cousin the jack-in-the-box comes in... the relationship between suspended chords and suspense. Bach could really leave you hanging, except he always had the luxury of resolving, except when played on a music box, I guess. Lee Durkee also contended that musical selections have something to do with it. "Music boxes don't play 'Turkey in the Straw,'" he said, emphasizing the jauntiness of that hoedown. I'll have to think about that. Is it true? And in any case I suspect "Turkey in the Straw" could be creepy enough on the right music box... Is the similarly bouncy "Pop Goes the Weasel" creepy just because we've heard it on so many dilapidated jack-in-the-boxes? Or is it the disturbing foreknowledge that the weasel is bound to "pop"?... Melodies are messages... pianos play by themselves in movies... half-forgotten snatches... they're trying to tell you something... they can't quite tell it to you straight... what's creepier than an oracle? And when you open a music box, a little ballerina figurine or such often begins to twirl stiffly... we think at once of what Freud said about dolls in his essay on "The Uncanny," but I think that book is in Dr. Theresa's office at the other end of the house and I don't feel like getting up. In conclusion, I apologize to all the people who have read that lazy and erroneous previous "blog" "post" lo these many years. My intellectual cowardice is beyond appalling! Another possible answer is: music boxes aren't creepy. (Illustration: Vera Farmiga looking at a creepy music box in a scary ghost movie we went to see with Chris Offutt. I saw Vera Farmiga checking into my hotel last time I was in Burbank! Sorry I forgot to tell you. I pestered her with fawning and she was real nice about it. She was wearing a stylish hat!) PS One Kris Simmons, whom I know via twitter, has chimed in to say, ha ha! - wait, is that even a pun? Do music boxes "chime"? - "I think it's because they sound out of tune." And she's onto something I hadn't considered! What could be more ghostly than these rusty gears and teeth and coils and knobby spools... still striving, but bent and warped by senescence? I ask you! Remember Edmund Spenser's ghosts with iron teeth... An out-of-tune music box is an echo, touchingly faded and changed... like a ghost... or a reflection... am I too suggestible? But this picture of Ms. Farmiga hints at a mirror in the lid... wasn't that common in music boxes? And aren't mirrors doorways into other worlds...? We just did a whole ADVENTURE TIME episode about that! Do I need to get all GOLDEN BOUGH on you...? So music boxes have little versions of ourselves inside... or else who's looking at what in that little mirror when the music box is playing by itself...? Okay! I'll keep adding more reasons music boxes are creepy. Send your suggestions to CREEPY MUSIC BOX c/o "Writer" Oxford, MS 38655. If you don't think music boxes are creepy be sure to include NOT CREEPY MUSIC BOX on your postcard.