Mom Right

When I was growing up, there was a local grocery store Mom didn't like. It's still there and she still doesn't like it. But now that I am adult man with sophisticated opinions, I am always like, "Mom, it is just a grocery store like any other. Why do you go so far out of your way for groceries?" And then I continue to lecture my mother on a variety of topics. I'll tell you, though... I have a single vivid memory of this grocery store from childhood. I don't know why it should be vivid. It involves a cigarette. It was the late 1960s or early 1970s. Cigarettes were everywhere. So that's not why the memory is vivid. Three of my four grandparents constantly blew cigarette smoke into my cherubic face. Benignly, I add! But anyway, I saw the back of a guy kneeling in a white uniform at a dairy case... putting in milk bottles... he turned, and I saw his face... he had a cigarette in the corner of his mouth, a cigarette with, probably, the longest ash I had ever seen. Or ever have (when not deployed comically, as in the case of Nathan Thurm or a 20-year-old infomercial for a blender)! It seemed miraculous that the ash hadn't fallen off his cigarette - which was mostly ash! - and into the whipping cream... anyway! Somehow it filled me with uncanny horror. I don't know why we were even in that grocery store, the one Mom didn't like. None of this is the point. Some of it is the point. Now I'm going to reveal the kind of personal detail that has security experts quaking in their boots. Sometimes, Dr. Theresa and I like an apple and an orange at night. We have been off desserts ever since some medical shenanigans. So, yes, sometimes an apple and an orange will hit the spot. For whatever gendered reason, it is Dr. Theresa who peels the apple and orange as part of the elaborate ritual. She likes peeling an apple! What do you want me to do? So... oh! I forgot to say that Dr. Theresa and I frequent the forbidden grocery store when we are visiting my parents. And this time, we happened to bring back some apples. So... afterward, when we would have our apple and orange, and the apple turned out to be insipid, I would say, "Is this one of those ****** apples?" (Here, I named the grocery store Mom doesn't like.) And every time, yes! The flavorless apple came from that grocery store. Finally, I was obliged to call Mom on the phone and say, "Mom, you were right!"

The Toastmaster Who Wasn't There

Now, how was Ace to know of my disenchantment, or whatever it is, with the idea of the Oscars? So he casually mentioned that he thought Conan O'Brien did a good job. "Well, we'll see about that!" I thought with churlish... I don't have a good noun to finish that sentence. The adjective churlish stopped my brain! So I scurried around on the "internet" like a little rat and watched a couple of minutes of Conan O'Brien doing his monologue. In my foul mood, I couldn't concentrate on his razor-sharp wit or whatever everybody thinks it is. All I noticed was how he amateurishly clapped his hands together every 10 seconds. He didn't know he was doing it! Such was my interpretation. His body was out of his control! And so on. Such was the content of my bitter thoughts. So I used email, the old person's medium, to craft a sentence only a 200-year-old man could appreciate: "All I’m saying is you wouldn’t see Bob Hope clapping his hands together every 10 seconds like the toastmaster at the Kiwanis Club." Ace responded that the Kiwanis make excellent pancake breakfasts and have programs to help children in need. So I really felt like a jerk after that. After some thought, I realized what a few of my problems were, and I encapsulated them thusly: "Once I was in a play and someone videotaped it, and when I watched the videotape I was horrified to see that I was involuntarily and unconsciously clapping my hands together every 10 seconds for no discernible reason. Conan's only real crime was reminding me of my own many failures! Also, I picked the Kiwanis Club at random, assuming they were a generic men's fraternal organization such as Fred Flintstone used to belong to. I didn't know anything about them! I should have turned the merciless spotlight on myself, not on the innocent members of the Kiwanis Club! I don't even know if they have toastmasters!" It was like when the guy in MULHOLLAND DR. (above) said "There is no band." That is, there was no toastmaster. Or to paraphrase Stanley Kubrick, I have always been the toastmaster. It's like in ANGEL HEART when... never mind. I don't want to spoil ANGEL HEART for you. I know you've been meaning to get around to it. Similar to the plot of that one Dan Duryea movie of which I can't recall the title. Wait! BLACK ANGEL. Why do they all have angel in the title? Let's forget it. Please join us tomorrow, when we start over with a clean slate, beginning with McNeil's revelation of some startling theological insights. I'm unemployed. PS The toastmaster I'm imagining wouldn't clap his hands together every 10 seconds anyway. He'd be gripping the podium in white-knuckled terror.

Breakthrough for an Animal

You know three things about me. 1. I'm sore all over from yesterday's garbage misadventure. 2. I get all my ideas from the obituaries. 3. I like to alert you whenever the New York Times mentions the TV show GREEN ACRES, mostly because they tend to get everything about it wrong. Number 1 came to mind just because I am sore all over, but numbers 2 and 3 were combined today in a way I think you will find most stimulating, yes, most stimulating indeed. So an underground cartoonist named John Peck passed away, and he was quoted on GREEN ACRES in his very own New York Times obituary. From the brief snippet, it is very clear that he understood GREEN ACRES completely, unlike the New York Times, although by quoting him on the subject - and in the limited space of an obituary, of all places! - they nudge themselves into acceptable territory. Mr. Peck, in a 1987 interview (a time when watching TV was considered a hobby for dolts... why, I recall when I was first employed by TBS in 1993, I would go to parties, and people would ask what I did, and I would tell them, and they would say - gleaming like a glazed ham with angelic pride! - "We don't even OWN a TV!" like I was supposed to faint or, maybe, lift them onto my shoulders and carry them around from room to room, blowing a trumpet)... what was I saying? Oh! So, Mr. Peck contrasted that attitude with the "high esteem" in which the GREEN ACRES character Arnold the Pig was held, because watching TV (an activity for which Arnold was famous), while looked down upon in humans, was "a breakthrough for an animal." The New York Times obituary department categorizes his statement as "dry."

Enviable Birds

Hey! Remember yesterday when I was reading a book with an owl in it? Well! What if I told you that last night I was reading another book and it had an owl in it too? Don't get overexcited! So, after I finished BUDDENBROOKS (which did not have an owl in it) - buckle up! This is going to be quite a tale! - I thought at first I might like to read Colm Tóibín's novel about Thomas Mann. I picked it up (off the floor! For real! It's chaos here!) and read a little bit and the tone was uncannily like BUDDENBROOKS, which I am sure Colm Tóibín intended, but, to me, it seemed a little bit like I would be reading BUDDENBROOKS all over again, immediately, and as much as I enjoyed BUDDENBROOKS, I thought maybe something else would be in order as I toddled off to slumberland every night with heavenly angels standing guard over the bed. This story gets better and better! Stay with me! So I dug out what looked to be the opposite of BUDDENBROOKS, one of those slender, elegant volumes I hate so much, ha ha! I kid the slender, elegant volumes. And yet it is true that I would often prefer plunging into a thousand-page saga to opening some jewel-like masterpiece by an exquisite miniaturist sure to make my head hurt with all its simple elegance. But I found a promising volume of that ilk, SO LONG, SEE YOU TOMORROW by William Maxwell, which was sent to me as a medicinal aid by my good friend Allyson during my recent convalescence. And it's good! And not quite halfway through it takes an audacious narrative turn that one does not expect in a volume of such elegant slimness! But that's not why we're here, is it? We are here to observe that "hoot owls" appear in the text, among a list of enviable birds that our narrator imagines populating the countryside, while, where he lives, in town, there are only some nice but sedate birds that, to continue paraphrasing, don't make such interesting noises as the hoot owls, mourning doves, whippoorwills, bob whites, and so on. Or maybe I've named them all! This slender volume of pristine elegance made an impression on me after all. And one more! Because I actually winced at a typo in it! Winced! Don't get me wrong, people. I don't mind a typo. I like them, even. I no doubt commit them frequently and don't even know it. Just the other day, I happened to find an old "post" in which I spelled Katharine Hepburn's name as, of all arbitrary choices, Kathryn! Did I fix it? Hell no. You know, I read some article that quoted Elon Musk - and I hate to mention his name, sorry! - a while back, and he said something like (I paraphrase quite roughly) "Robots will be writing good novels within three years." And I was like, "What's a good novel to this guy? One with no spelling errors?" Which made me throw up just thinking about the question. And so I was surprised at myself for physically, not just figuratively, wincing as I did at William Maxwell's typo. But look. If your book is a slender elegant volume of refined prose meant to be read through a jeweler's loupe, your typo stands out. In this case, we find a fairly large dog lying down in the grass and "resting her chin on her four paws." Now! Certainly our author meant to write "her forepaws." I am not the most imaginative person in the world, but I find it impossible to picture a dog resting her chin on four paws at once... whereas I have seen for myself with my own eyes a dog resting her chin on her forepaws. Would the dog not have to be a contortionist circus dog to do the former? And could such a position even be called "resting"? So either it's a typo or I am showing my ignorance about dogs, as I have shown it over the years about so much else. PS! Just as I expected, I was wrong. I should have known better than to accuse William Maxwell of incorrectly describing a dog at rest. That's a specialty of such writers! Anyway, McNeil, while unable to find an image of his own dog sleeping on her four paws, assured me that dogs do it all the time, and sent me the above photographic proof from the "internet." I guess I just couldn't picture a dog curling up. The commonplace things I cannot picture are without number.

Doom and So On

I was chatting with Megan this morning through the medium of email about a Mark Rothko book I picked up at Square Books the other day. Its subject is the paintings he did on paper rather than canvas, and it features many vivid color-plate reproductions. Rothko is quoted in the introductory essay, of course, often saying the kind of stuff that Megan and I are partial to, as I am sure you will recall ("click" here) from the time we got all in a tizzy over something Bellini said about opera. I'll give you a couple of examples! 1. "I'm interested only in expressing basic human emotions - tragedy, ecstasy, doom and so on." 2. "If a thing is worth doing once, it is worth doing over and over again." End of examples. Moving on to other artistic matters, a lot of these old comic books that Tom Franklin brought over are horror comics, a genre I read a little bit of as a kid, but not too much, after a story in either HOUSE OF MYSTERY or HOUSE OF SECRETS (I think) about a guy who turned out to have goat legs shook me up pretty bad. Which brings up something I've noticed... these old comic books, and not just the horror ones, either, really do have an awful lot of the devil in them, just like the Sunday school teachers used to say! I was wrong to scoff! But I'm sure you've guessed what I'm getting at. So, I was reading this one THE WITCHING HOUR last night, and there's a story in it about "coffin inspectors," which I didn't know was a job. You can learn a lot from the old comic books that Tom Franklin gives you! The coffin inspectors are marching along in the first panel, singing a song that goes like this (and, once again, I quote): "OOHOOHHOOO OH, HO! OH, HO! WHEN THE MOON IS GIBBOUS AND THE OWL CRIES FOUL... THEN WE'LL DIG AND SHARE THE WEALTH OF THOSE WHO NO LONGER DRINK... THE RED, RED WINE... OF LIIIIIIIIIFE!!!" I can't say that's much of a song, but it does have an owl in it. Yes, there are eight I's in LIIIIIIIIFE, I counted them several times in the interest of accuracy. Oh, and I get it now, they're graverobbers. Why, there's no such thing as a coffin inspector after all! In my defense, Ace and Angela came over last night for a special screening of Dr. Theresa's favorite TV show, QUINCY, M. E., and afterward, tuckered out from all the Quincy enjoyment, I did no more than glance at the first panel (after reading a previous story in the same issue, which I had trouble following, about the devil attacking a Swiss town - it ended as abruptly as SIMON OF THE DESERT! [which also featured the devil]) just enough to notice the owl before succumbing to slumber with a Quincy-like smile on my cherubic face. In conclusion, I don't mean to brag, but TECHNICIANS OF THE SACRED does have more owls in it, just as I predicted. If the numbers hold up, there should be an owl every 4.5 pages. One more thing. Goat legs (see above) make me think of a line that Dr. Theresa and I are always quoting to one another. It comes from one of those "true stories of the paranormal" shows. They were interviewing a couple of guys from Texas, I think, who saw a creature in the woods with "the head of a goat and the body of a jacked-up man." That's it. We say it a lot. Try it out at home! "The head of a goat and the body of a jacked-up man."

Possessed of a Cat, Surpassing in Beauty

I was standing around in Square Books yesterday, killing time before Beth Ann Fennelly's reading, and I picked up a book about animals, but I'm ashamed to say I can't remember the title even though it had an owl in it. What chiefly surprised me about this particular owl is that it appears, according to the book I picked up, in Fragment B of Christopher Smart's JUBILATE AGNO, a fragment from which I have often read, but I have never noticed the owl. In my defense, that is a long fragment! And it starts with letting a lot people rejoice... like, hundreds? People or angels or saints or something. All rejoicing. Or being allowed or encouraged to rejoice. I guess. "Let Bukki rejoice with the Buzzard" is one example. "Let Hur rejoice with the Water-wag-tail." Okay! Whatever you say, Christopher Smart. Hundreds of those, maybe. And eventually we get to Shephatiah, who is supposed to "rejoice with the little Owl, which is the winged cat." I never thought of owls that way before, but I'm buying it. And Christopher Smart adds, "For I am possessed of a cat, surpassing in beauty, from whom I take occasion to bless almighty God."

Literary Matters

It's time once again for "Literary Matters"! No one enjoys those. They're not enjoyable. 1. I covered this one on twitter yesterday, but it's sticking in my mind. I read in the New York Times about Jimmy Buffett "grinning and splashing Tabasco on a modified Cobb salad." The editorial machinery of the New York Times saw fit - for the sake of accuracy, one supposes - to make sure the reader did not receive the false impression that Jimmy Buffett was eating a completely traditional Cobb salad. BUT! They did not care to let that same reader know in what way the Cobb salad had been modified. That's really all I have to say about that, except that I can't stop thinking about it. 2. EVERYBODY has been telling me to read BLACK WINGS HAS MY ANGEL. Why, Randy Yates stopped me on the corner outside his own restaurant just to ask whether I had read it. And he was only one of many to make that query. And I needed something to read after MEASURE FOR MEASURE. (Ha ha, don't worry, I haven't given up on THE ANATOMY OF MELANCHOLY; I just read this in it: "Cupid and Death met both in an Inn, and being merrily disposed, they did exchange some arrows from either quiver; ever since young men die, and oftentimes old men dote"... but I need a new "carry-around" book.) BLACK WINGS HAS MY ANGEL is done up at least partway in that poetic style that Chandler made permissible for crime stories (instead of bubbles in the bathwater there are "little zeroes of suds"), and I'm more than fine with that! Okay! But then I had to stop on page 12 when he referred to the "trashy tune and words" of a Hank Williams song. The idea of someone sitting around proclaiming something "trashy" has never set well with me. And I know I should not confuse the author with the narrator! But here's a guy working in a genre that has been (unfairly) called "trashy" and he is going to have his narrator refer to the towering melodic and lyric achievements of Hank Williams as "trashy"? He should be on Hank's side! The irony (?) is compounded by the fact that this is a slick nyrb paperback, which has "rehabilitated," I guess, his "pulpy" novel. 3. Have you ever noticed in those books how your tough-guy narrator always wants to tell you when he takes a hot shower and eats some steak and eggs? It's a tendency I noticed in Spillane a lot. Maybe it's realism! I always thought it would be interesting to write a detective novel where there's no crime to solve and the detective just tells you about all the eggs he eats and hot showers he takes. The narrator of BLACK WINGS HAS MY ANGEL "had no more idea of falling in love with her than I had of making a meal of the big yellow cake of soap in the Victorian bathroom," curiously combining both tendencies. 4. So I put down BLACK WINGS HAS MY ANGEL. I'm gonna come back to it! I just have to shake off that unnecessary sideswipe at Hank Williams, though it's really got its claws in me. But in the meantime I thought I'd see what some of these here Shakespeare experts had to say about MEASURE FOR MEASURE. Out of three scholarly tomes I opened, two fell open EXACTLY and AT ONCE to the part about MEASURE FOR MEASURE, as if guided by the ghostly hand of Shakespeare himself! 5. Okay, I told you I'd read some more of this novel. Just three pages later the narrator is complaining that descriptions of women's legs in books are "trash." I don't know whether he's obsessed with trash or I am. But he's used the term twice in three pages. And now he's washing down seconds of potato salad with ice cold beer. Don't get mad at me, kind recommenders! I'm going to give this guy more of a chance than he gave Hank Williams. 6. I WAS WRONG! It's more like Cain than Chandler, but that's not what I mean. See, he's using the Hank Williams song ("If You've Got the Money, Honey") in a much more complex way than I expected... as a kind of shifting leitmotif. "Before it had sounded frank and functional. Before it had sounded gay and uncomplicated. Now the tune had a nasty taste to it." So, see, he was going somewhere with that, and I'm the sap. 7. I'm "not 'blogging' anymore, but I thought a late addendum to an old "post" would be okay. I'll probably come back to brag when I finish THE ANATOMY OF MELANCHOLY too. But in the meantime, from BLACK WINGS HAS MY ANGEL, "She split some canned wieners and fried them with the eggs." See? I told you this kind of narrator always tells you when he eats eggs. 8. "... his hand busy as a tarantula in a fly cage." Gross! And I don't even know what a fly cage is. I assume it is a cage full of flies. And then you put a tarantula in it. But with its obvious debt to Chandler's "tarantula on a slice of angel food," the pendulum of influence swings back. I said I'm not "blogging" anymore but I keep sneakily adding to this list. Pitiful.

Angel Face

Sometimes I have a little something that might be helpful to somebody, some little tidbit about how ADVENTURE TIME gets made. Like tonight's episode "Angel Face"! See, at first Kent and Adam and Pen and I were trying to write a MOST DANGEROUS GAME kind of outline about the King of Ooo hunting his subjects for sport, ha ha ha! We hashed it out for days and just couldn't make it go anywhere (though we used a scrap of it in the outline for "Stakes," the Marceline arc from earlier this year). So then one day both Adam and Kent were busy, as I recall it (the latter out of town, maybe?), leaving Pen and me alone, still trying to figure out this "hunting Crunchy for sport" episode, and for some reason I said that Jake could be a tiny horse that BMO was riding... and Pen was like, "Let's go with that." Another good writing lesson from Pen, because he didn't mean "Let's see how we can fit that into our story," he meant "Let's write a whole new outline based on that image." And so we did, over the course of a single meeting, after spending days and days going in another direction. And when Adam came back he strengthened what we had done (adding the surprise identity of the antagonist, just for example) and then of course Somvilay and Seo made it into something solid for real, the way they do, what with their storyboarding and writing the whole dang thing and all (sentient sandwiches, for example). Oh, the only other thing I can tell you is I came up with the name "Angel Face" because of the Robert Mitchum movie of that title (above), which I happened to be thinking about, though it's not a western and has absolutely nothing to do with the story we came up with. So! What's the lesson? Don't be afraid to abandon your original idea, I guess. If you're stuck, shift your focus: it might open the floodgates! And you can always save and reuse scraps of an idea that doesn't work. Latch onto an evocative image. Writing can be fun? And titles don't have to mean anything. Maybe those aren't the lessons.

Santa's Face

I'm cooking a goose for Christmas. Believe it or not we don't really have any goose-cooking supplies around here. So I went out today. First I stopped by The End of All Music to see Bill Boyle, whom you can usually find behind the counter on a Sunday. I saw that the new arrivals bin was stocked with interesting things and Bill said that many of them were the abandoned records of a mutual friend (should I reveal his name? It's probably nobody's beeswax!) who's moving out of town. Speaking of none of your beeswax, I had an email from my old pal Abby Greenbaum, full of juicy music biz gossip about big-name country stars. But I can't tell you any of it! I can only give you some of the last part of the email: "The next day I hung out at Santa's Pub and, in honor of Christmas, did tarot readings for my roadie friends. Have you ever been to Santa's Pub? It is a triple wide trailer in South Nashville that is also a bar. Beers cost $2, and Santa's face is painted on the outside." But back to the goose! I was grousing to Bill that I really shouldn't buy any LPs because I had to spend my money on goose supplies, and Bill insisted on buying my stack of records for me. (Pictured above, one of them.) How often do you walk into a place and the guy working there buys your stuff for you? Talk about Christmas cheer! Speaking of which, I couldn't find any cooking twine at the grocery store so this guy who works there walked back behind the mysterious doors of the meat department and came back with a length of cooking twine for me. "Just stick that in your pocket," he said. Dang! I forgot to tell you that after I saw Bill I stopped for a bite to eat at Big Bad Breakfast, where, to my alarm, the Food Network had set up and was shooting something. I sat at the counter, not too far from an intensely glowing young couple they were interviewing. ("Random customers, I don't think they're from here," my server told me.) The Food Network had forced these clean-cut sweethearts to order a Pylon apiece. Now, these trim and fresh-faced matinee idols looked as if they'd barely be able to finish half a Pylon between them. Have I told you about the Pylon? It's named for the Faulkner novel, natch. It's a waffle with lots of stuff on top. Slaw and chopped-up hot dogs and chili and oyster crackers and hot peppers and I can't remember what all. Mustard, for instance. The Pylon cures your hangover. Now, this rosy-cheeked ingenue and her all-American beau have never had a hangover in their tender lives, I avow. But they cautiously approached their Pylons in the spirit of good sportsmanship. The funny part was that the interviewer would ask them things like, "Why do you think this place is named 'Big Bad Breakfast'?" "I don't know," was their reasonable answer. (It is named for Larry Brown's book BIG BAD LOVE, but how are they supposed to know that?) "What do you think is the origin of the Pylon?" asked the interviewer. "I don't know," the young woman said.

Little Coats

Read some more of THE ANATOMY OF MELANCHOLY for the Fourth of July. Burton has the scoop on angels and devils! Did you know that the demonologist Psellus believed that demons poop? I'm sorry, "that they are nourished and have excrements." Yeah, Burton isn't buying it. He quotes another scholar's theory that angels are "absolutely round" like basketballs. He doesn't say "basketballs." Oh! Our old friend Paracelsus comes up quite a bit. Remember how he supposedly concealed his most powerful medicines in the hilt of his sword? A guy named Erastus claimed that Paracelsus had a devil "confined to his sword pummel." Meanwhile, "Paracelsus reckons up many places in Germany, where [fairies] do usually walk in little coats some two foot long." Aw!

You Dragons

Dug out a couple of books about Shakespeare and looked up CYMBELINE in them. Edith Sitwell, in her "Notebook on William Shakespeare," quotes this: "To the Truncke againe, and shut the spring of it./ Swift, swift, you Dragons of the night, that dawning/ May bare the Raven's eye! I lodge in fear;/ Though this is a heavenly Angell, Hell is heere." I should have mentioned that when Lee asked me for memorable lines. See, Ethan Hawke is like, "Hey, uh, I almost forgot, can you hold a package for me for a few days?" (I paraphrase.) and Dakota Johnson from 50 SHADES OF GREY is like, "Sure!" (I paraphrase again.) So that's no package! It's a steamer trunk, and Ethan Hawke is hiding in it in his underpants, and when Dakota Johnson from 50 SHADES OF GREY goes to sleep he pops out and takes selfies with her. I don't recall if he said the part about "dragons of the night" but I do know he said, "Though this is a heavenly angel, hell is here." And "hell is here" struck me at the time. To be fair to CYMBELINE! And Ethan Hawke. Looked in a Frank Kermode volume and didn't get much (well, I didn't try very hard) except for a casual and tantalizing aside about "the astrologer Simon Forman" who saw the original production and (which has nothing to do with CYMBELINE) later "died, as he had precisely predicted, on 12 September 1613."

Be Sure to Include Dana Andrews

In another ASTONISHING COINCIDENCE, I hear from McNeil that he watched the old movie FALLEN ANGEL today. Here's what! Dr. Theresa and I came EXTREMELY CLOSE to watching FALLEN ANGEL today! OF ALL MOVIES. I don't even know what made me think of it. A vibration from McNeil's mind? That is the only reasonable answer! But for whatever reason we turned on MIRAGE instead, something I had recorded from TCM. We got a few minutes in and our brains hurt already from Gregory Peck's mysterious identity predicament. Don't we have enough problems with our own mysterious identity predicaments? "Maybe I'll take a nap instead," I said, and promptly fell asleep for four hours. Ain't life grand. So anyway, if you do a "Google Image Search" for the movie FALLEN ANGEL, don't just google the term "fallen angel" or all you'll get is a lot of scary fan art of scary looming demons with big scary wings. Add Dana Andrews to your search terms.

Ghosts Are Real

As you know, Dr. Theresa and I can hardly be bothered to walk up the block to hear music. But this weekend we went all the way to New York City to hear music! That's right, our favorite band The Rock*A*Teens, who were playing their VERY LAST SHOW EVER according to Rock*A*Teens mastermind Chris Lopez, whom we saw in the club (Le Poisson Rouge) when we arrived early - though the next day (about which more later) he seemed more cryptic and less certain when we raked him over the coals about it. We can only hope - the world, I mean! - that the Rock*A*Teens will play again. Our trip began the day before, with drinks precisely at "Megan Abbott Time" - this time with the actual Megan Abbott! Hey, you know how I always wear my glasses way up on the top of my head? Sure, it's probably all you think about! You can see an example in the following photo by Dan Conaway.

Well, I tossed back my head with glee or something and my glasses flew away into a spot from which they were seemingly irretrievable. Megan, a daintily constructed person (I once asked for and received her permission to compare her to a doll in a magazine article) slipped herself behind the banquette in our swank hotel lobby to save them. Later that night, at dinner (about which more later), an efficient and stealthy waiter suddenly appeared behind me with my glasses, which I had lost again in the identical manner. "Sir, your glasses," he said. "A theme!" I thought. "This is hot stuff! The title of my 'blog' 'post' can be 'Sir, Your Glasses.'" And so I jotted in my special book of jottings. BUT IT WAS NOT TO BE. "Ha ha," I thought. "My glasses are always flying off my head. What an intriguing character I am." Dr. Theresa and I were dining at Il Buco Alimentari, a place recommended by John T. Edge. When we arrived, the hostess said, "Oh, you requested the kitchen," and the other hostess said quickly, "No, no, no," which made me suspicious. WHO HAD REQUESTED THE KITCHEN? For we were indeed seated, as if we had requested the kitchen, at a marble counter facing just inches away from where they were cooking the food, a terrific spectacle. The exchange between hostesses made me wonder whether John T. had secretly called ahead to ensure that our dinner would be especially memorable. I have suspected as much of him before! Dr. Theresa had some octopus and then later I had some different kind of octopus. Somehow I thought of Camille's, an old spot in Atlanta, though Camille's was sometimes crummy, especially in its later years, whereas Il Buco Alimentari was glorious, but my octopus made me think of the fra diavolo at Camille's if a mighty, shining archangel had prepared it instead of a human who had given up on life. It was some exquisite octopus there at Il Buco Alimentari is what I'm getting at. And Dr. Theresa said that her own pasta course was like "black pepper and pecorino romano got married and had a beautiful offspring." And there was pork with nectarines and so many other things, things just kept coming, things that could make you cry, a snifter of green chartreuse. And now I'm going to leave the heavenly Il Buco Alimentari to indulge in some memories of shaky old Camille's. Dr. Theresa and I went to Camille's on our third date! Between our first and second date she had gotten seriously ill - not because of our first date, ha ha! I mean, like, she was in the hospital. So on the third date I thought it might do her some good to try to walk to Camille's (she was very weak). It did her no good at all! In fact it did her some harm. Which reminds me of the time long before that when I made my poor sister walk a MILE to Camille's in some uncomfortable shoes which I found out later had caused her feet to bleed like some kind of saint. Good times. Let me explain that at the time, my brother and I were both living in Atlanta, in separate places, and my sister, then a teenager, would sometimes come to visit. So on that trip she and I sat around the apartment and played hangman because I didn't have a car and I forced her to march until her feet bled... and then when it was her turn to stay with my brother, he introduced her to her hero David Byrne! David Byrne shook her hand and she swore never to wash it again. So that was a contrast. Nor did my brother force her to walk until her feet bled. OKAY! Back to the present! The next day Dr. Theresa and I were to meet Megan at the Strand bookstore, where I had never been somehow. Dr. Theresa and I were a little early, so first we ducked into a comic book store around the corner. I got a copy of Seo Kim's book CAT PERSON. It's great! Sitting on a bench waiting for Megan a few minutes later I was just laughing out loud like a lunatic. Also, I was reading CAT PERSON by Seo Kim. I was delighted to see Jesse Moynihan's FORMING on the shelf in the comic book store, both volumes. But an employee told me that the recent ADVENTURE TIME comics cowritten by Kent Osborne were sold out! He told me they sell the minute they come in - they can't keep them in the shop! Our town does not have a comic book store, so I was sad about that lost opportunity. (Later the Rock*A*Teens bass player Will Joiner showed me a picture his niece had asked him to show me. She's getting ready to start 7th grade and she was all done up in her ADVENTURE TIME finery. He said she had never been so excited as when he told her he was going to meet someone who works on ADVENTURE TIME... which is the same way I feel about the Rock*A*Teens!) Megan met us at the Strand and we went down to the occult section in the basement. Dr. Theresa immediately found me several of the kind of "true ghost story" books I like, including one with a Table of Contents that promised a chapter about "The Terrible Flying Jelly Bags." I don't know what those are yet, and I won't until the books have been delivered, but I thought "The Terrible Flying Jelly Bags" would make a great title for a "blog" "post," surpassing even "Sir, Your Glasses." BUT IT WAS NOT TO BE. Megan was trying to choose between a book by a debunker and a book by a spiritualist medium and I suggested the latter because it would be "crazier." An eavesdropping young man turned to us and in a quietly intense voice said, "Ghosts are real." As I recall it, I replied in a friendly conversational tone, "I know, I've seen 'em!" Minutes later, however, on the street (and several times throughout the remainder of our stay in New York) Megan claimed that I had said, "Of course! I've seen many!" and as I was saying it (according to Megan's version, which she demonstrated to a number of people over the next few days, as I've noted) I made a sweeping, Shakespearean gesture with my right hand. That's what she said! I don't remember it. In any case, I "out-weirded the weirdo" (as Megan put it, to which Dr. Theresa sincerely added, "I am so proud of you"). It is true that the quiet and intense young man, whose eyes glimmered with danger and insanity, was flummoxed, stunned, defeated and silenced by my solicitous response. Eventually, Megan and Dan and Dr. Theresa and I were at the Rock*A*Teens show, and I literally can't remember the last time I was so happy.

For one thing it brought Dr. Theresa and me in an emotional whirlwind back to our early days (we've been married almost 19 years!) when Hogan sang at our wedding reception and Lopez picked up a guitar for one number. For this gig, though, all these years later, a band called Ricer opened, and it was a good sign when the lead singer and guitarist announced that her favorite band was The Rock*A*Teens. Then Ricer blew us all away with crashing relentless deafening sterilizing murderous vibrations that made us feel young again. Megan described their sound as "early metal" - I think. It was impossible to hear! In a good way. "They're like Frank Sinatra!" I screamed in Megan's ear, and I believe she agreed. She got where I was coming from! Maybe. After Ricer, Megan and I went and found a photo booth at the back of the club.

The Rock*A*Teens came on and Dr. Theresa danced, sometimes with Dan and sometimes with the girl from Ricer, and sometimes both, probably. I chipped in. It was mass hysteria! Dr. Theresa screamed herself hoarse. The aftereffects are apparent to this very day! She reached up for the stage and Chris Lopez reached down and grabbed her hand. She later called it her "Courtney Cox moment" - for you youngsters, that's a Springsteen reference. The next day, the bass player Will Joiner told us that the R*A*Ts had played for TWO SOLID HOURS, 23 songs, an incredible length for a set list. Lopez crowd-surfed for the first time ever. "I didn't do it on purpose," he said, sounding apologetic. "I stumbled and somebody grabbed me." This conversation took place at a joint called "The Campbell Apartment," where Megan took us, a rococo little bar in a hidden corner of Grand Central Station. Here's a picture I found of it on the "internet."

You can see the top of the nicely-upholstered couch where Lopez and Dr. Theresa and I were sitting. But you can't see the stone lion with wings (a gryphon?) that watches over everything. The atmosphere was suitably phantasmagoric but some of the fancy drinks were tastier than others and Lopez and Dr. Theresa may have had the right idea when they switched to bourbon on the rocks.

Dr. Theresa showed off her tattoo and Lopez asked whether I had got one to match and I said teasingly, "I don't desecrate my body," to which Lopez replied "THIS body?" gesturing humorously at my body. Which reminds me. We were lucky enough to see Ward McCarthy and his dear wife Ann on this trip, our old friends, and their daughter Lily (I knew her when she was a newborn infant and now she's about to start college!) and Ward and Ann LOOK EXACTLY THE SAME as they did when I first knew them. And Chris Lopez looks EXACTLY THE SAME. Whereas I am a fat guy with a lot of white in his beard. What happened? Ward said he and the family had been rafting in some rapids recently. That's not the Ward I know! As I exclaimed to all present. "Yes, because all we did was sit in a bar and complain," said Ward. "But when I wasn't doing that, I was rafting," he added lyingly. I had reason to think of my fatness as I reclined in a marble bathtub, taking a bubble bath and reading a Travis McGee novel just as John D. MacDonald never intended. A tub so deep I could float in it. I DID float in it! This was the day after the show and I was singing everything to the tune of "Don't Destroy This Night," my favorite Rock*A*Teens song, like, "Let's get a drink/ We can sit and think/ Tub so deep/ It puts me right to sleep/ I'm in the mood/ To take pictures of my food." Such were a mere few of my hilarious parody lyrics basd on gritty real-life experiences. I'm like the Weird Al of the Rock*A*Teens! But - and may Ace Atkins forgive me for saying so - John D. MacDonald writes a lot of prose that should ONLY be read in a bubble bath. "One goodnight in a sad alto echoed in an empty corridor in my mind... I stood on a dream bridge and saw an open boat drift under the bridge on the black tide, full of a lost tumble of dead maidens..." WHAT! COME ON! Travis McGee likes to explain life to the ladies. He likes to tell women what's what. "Baby, nothing is easy... real people walk around in the foggy, foggy dew." Okay, Travis McGee! That little speech runs about a page. (Ha ha, look who's talking!) By page 142 two women have literally purred at him - PURRED AT HIM, NOT METAPHORICALLY - because he's so awesome at giving them a squeeze if you know what I mean. Maybe one woman specifically purring in gratitude for his manliness every 71 pages isn't too many, I don't know, what do you think, don't tell me, I don't care. But he's trying to avenge the death of a pal and get his mitts on some weird gold statues so I'm still reading it so sue me. After drinks with some Rock*A*Teens at Grand Central Station it was off to Laura Lippman and David Simon's place with Dan and Megan for a really special evening of conversation and cheese. I am talking about a cheese called burrata, which I guess I am the last to know about because everybody was looking at it and saying, "Hm, the burrata, oh, the burrata," like it was a normal thing. But it was so much more than a normal thing! Plus Laura had thoughtfully prepared some Southern specialties to make us Southerners (she has Georgia roots of her own!) feel at home. Because guess who else was there? That's right, Roy Blount Jr.! "She introduced us to her donkey," Roy said when I asked him to tell us about the time he met Flannery O'Connor. "Funerals are a good thing to be funny after," he said later, on another subject. At one point Megan said "Everything important looks simple," and I wrote it down because I go around writing down things Megan says. Like, a day or two before that, she said in defense of Frank Sinatra, "He couldn't control his overwhelming emotions, that's the worst you could say about him," and then she laughed really forcefully ("merrily," we decided) at the audacity of her own pronouncement. Ha ha ha! At Le Poisson Rouge I wrote down something Dan said but I'll tell you the truth, I'm not sure I can read it. It's dark in there! It's dark and drunk in there. I think it says, "The promise isn't better than the thing." And I think it had to do with how fantastically he had vowed to dance with Dr. Theresa - a promise he easily kept! I have a lot more material here... I mean a LOT more... a whole riff on SNOWPIERCER for example (I think I call Tilda Swinton the Peter Sellers of our time) but even I have my limits. OR DO I?

36 Eggs

"Thus Bartholomew de Glanville, an English Franciscan friar, wrote about 1360 a most popular work, DE PROPRIETATIBUS RERUM, in 19 books, beginning with God and the angels and ending with colors, scents, flavors and liquors, with a list of 36 eggs." - Hugh Kenner, FLAUBERT, JOYCE AND BECKETT: THE STOIC COMEDIANS

A Sinister Role For Flavius Mithridates

Hey you know how in every single place you look on the "internet" it says that Pico della Mirandola wrote something called ORATION ON THE DIGNITY OF MAN that everybody is so jazzed up about? Well, according to this guy who translated this book of Pico's 900 theses that I have here, that title "first appeared ten years after Pico's death in a corrupt German reprint of his collected works." And this here guy is pretty upset about how everybody loves that fake title so much! But do you think the "internet" cares? Here's another funny part: "In the section of the text devoted to the Platonists, we find eight theses attributed to 'Adeland the Arab,' who Pico claimed was Plotinus's fellow student in Egypt under Ammonius Saccas... Both external and internal evidence, however, clearly show that Adeland the Arab was Adelard of Bath, the twelfth-century Englishman!" (You know I appreciate a learned scholar who is not afraid of exclamation points.) But the best part is right after that: "Here again there are reasons to suspect a sinister role for Flavius Mithridates, whose reputation in the Renaissance as something of a con man was apparently well deserved. Pico's involvement with this colorful figure - who liked to style himself as Pico's would-be but scorned lover - constitutes one of the strangest personal stories of the period, although it is one that is far from being completely understood." I know, I know! Now you are thinking of John Dee and Edward Kelley, right? And the time the angel told them to swap wives? Or maybe you are thinking of Paracelsus, and how he would "vanish under cover of night" when the heat was on, running around all drunk with his big sword and being a genius. Those were the days! There are not enough drunken, sword-brandishing geniuses anymore! We don't even have any young Rip Torns around to hit our Norman Mailers in the heads with hammers, or any Norman Mailers to bite other partygoers on the neck. John Dee had plenty of Pico and Paracelsus in his library, you better believe it, until that mob trashed his house that time, I can't remember why, I guess they were mad about something.

Out to Lunch

Let me tell you about my thrilling day. I turned on THE TARNISHED ANGELS, which I had dvr'd from TCM. I think before Megan Abbott left town, she and Bill Boyle and I were talking about watching it, but it was impossible to get hold of. After Megan left, I noticed it coming on TV. So I watched some of it this morning but then I started feeling guilty because I shouldn't watch it without Bill Boyle! I watched enough to see that it contained a goodly percentage of the cast of WRITTEN ON THE WIND, which, like THE TARNISHED ANGELS, was directed by Douglas Sirk. Those angels were so tarnished! As you can see from the above frame. Plus Mardi Gras! I mean, it takes place during Mardi Gras. But I turned it off. I was trying to decide what to read next and I recalled that maybe Megan and I were going to read this book of Mississippi ghost stories I got for her by way of apology after rudely scoffing at a ghost story she told me in a public forum. The Rowan Oak ghost story in the book supports BOTH sides of our argument and even quotes our pal Bill Griffith. So I called Megan but she never answers her phone and maybe she called back but I never answer my phone, so you can see the difficulty. So I didn't know whether to start the ghost story book or not. Then I remembered that last night Tim Youd told me he was on the last 17 pages of THE SOUND AND THE FURY, which he is typing as part of an art project at Rowan Oak. So I walked down there hoping I could watch him type the last few sentences ("They endure" and all that, isn't that it?) but the kid sitting by the door told me that Tim was at lunch and Bill Griffith was at lunch and everybody was at lunch. So I went to Square Books instead and bought PYLON, the Faulkner novel on which THE TARNISHED ANGELS is based, and I sat there in the store and read that mint julep murder mystery that Bill told me about, which included a kind of shabby carnival magician (attention Megan Abbott!) and which I must have read years ago, because it's in the book KNIGHT'S GAMBIT, but most of my life is just a blur to me now, which is why I type up these little pieces of crap.

Maybe Kangaroos

Reading that biography of John Wayne, I was particularly mesmerized by the allusions to a movie produced by John Wayne, a brainchild of his boozy sidekick Jimmy Grant, a circus movie starring Mickey Spillane as himself - RING OF FEAR! It says something about me that I also watched ISLAND IN THE SKY, a very interesting John Wayne movie that starts out interesting and just gets more and more interesting as it goes along, a really fine movie, and yet I have no desire to "blog" about it. I'd much rather "blog" about RING OF FEAR, which is, as I just informed you, a circus movie starring Mickey Spillane. As himself! Many spoilers follow, ha ha. RING OF FEAR begins with thudding timpani and roaring lions. The theme song goes, "Here comes the circus/ Marching down the street/ Hear that thrilling beat/ The band... the band... the band is playing, Yay!" and that's the whole song. (See also.) The narrator lists all the animals in the circus, ending his litany with "maybe kangaroos." Maybe! Sounds ominous. Then we cut to a big, scary sign: STATE MENTAL INSTITUTION, and a guy saying, "I tell you I'm not crazy, gentlemen." We're less than 5 minutes in! Oh boy! Then the guy says something I didn't quite catch about "building a fence around the universe." He's in trouble for talking to a picture of a "circus girl." Then he escapes! I thought they were setting him up to be sympathetic but then he tossed a random guy under an oncoming train, so I guess not. He meets up with his pal, a guy named Twitchy. I thought I had that wrong until a surly clown said, "Twitchy must be hitting the bottle again," thereby confirming the name Twitchy. Twenty-five minutes in, here's Mickey Spillane for some reason. Somebody says, "Say, ain't you Mickey Spillane?" Spillane mumbles, "Yeah, that's right." Poor Mickey! As an actor he doesn't even seem convinced of his own name. He does walk around with copies of his new paperback in his jacket pocket and hand them out to strangers. Lots of circus acts in this movie. I hate to see them taunting the tigers with the whip and the chair, though, so I fast forwarded through that stuff, I must admit (though to come clean I enjoyed it - very guiltily - when some elephants danced to "Turkey in the Straw" - God have mercy!). Twitchy is a drunk clown, like so many sad clowns before him, but I wasn't sure I could safely categorize him as a sad clown until I saw that he was being blackmailed for murder. That would make anybody sad! Now we meet, for a few sparkling moments, an acrobat named Tiny. Boy, I liked her. Her "bum" of a husband works part-time as a department-store Santa. Golly, I would have watched a whole movie about them! But that's all we get of Tiny. Mickey Spillane calls somebody "a windy character" and Pat O'Brien responds, "Yeah, he's windy and he's a character." I am not sure what that exchange of dialogue got us! The sword swallower wants peppermint polish for her swords because her swords taste so terrible. (Hey, I've got eight pages of notes here.) She has a weird way of introducing herself: "Hello, Mr. Spillane, are you married?" Mickey says, "It slips my mind at the moment," a pretty good Mickey Spillane line, but the incongruous set-up is unforgivable. I have here in my notes that Mickey Spillane chews gum and squints. Half an hour in or so I find out that the crazy madman is named "Dublin O'Malley." He's Irish, by the way. Meanwhile, back at the circus! A clown comes out holding an umbrella. Cut to the crowd laughing hysterically. Cut back to the clown holding his umbrella. A clown holding an umbrella really seems to get to everybody. (See also.) By an hour in, Dublin O'Malley seems kind of like an interesting, complicated psychopath, or am I going soft? (Also about an hour in, a kangaroo actually appears - a kangaroo with, forgive me for saying so, surprisingly prominent testicles.) I did enjoy watching Mickey Spillane eat an ice cream cone. It seemed authentic. Was he getting more comfortable onscreen? Or was I getting more full of rye? Around this time, for example, I started thinking of the actor who played Dublin O'Malley as a poor man's Orson Welles, which is funny, because Dr. Theresa, who was in the next room and not even paying attention, later told me that she thought he sounded just like Orson Welles in LADY FROM SHANGHAI. Suddenly Mickey Spillane is wearing a Hawaiian shirt. Later, he will put on a tight sweater, too, before suddenly reverting to the usual baggy jacket, loose tie, and fedora. Turns out Twitchy used to be an aerialist, which reminded me of something that Bill Taft once said to me in a circus performers' graveyard. Dublin has a long, intricate monologue describing death by cyanide to Twitchy and yes, this scene clinches it, Twitchy is a super sad clown. Dublin O'Malley drowns that clown! Reaction shots of disapproving circus animals! Pat O'Brien gives a deadpan read of the immortal line, "Valerie, I'm sorry. We just got news that Dublin is a kill-happy maniac." Dublin is eaten by a tiger, cutting immediately to a song about the circus being "a magic wonderland" of "angels and clowns." THE END

Heavy

Reading this lavish, heavy (I mean physically heavy, like it's hard to carry around) book by Umberto Eco, THE BOOK OF LEGENDARY LANDS. It has lots of great parts, like: "In the West, too, there was no lack of artisans able to construct automata, and legend has it that Pope Sylvester II (who reigned 999-1003) was attributed with the creation of a golden talking head that murmured secret advice." And: "At the court of Khan Mongke in Karakorum, William of Rubrick saw a silver tree whose roots were formed by four silver lions, from each of whose mouths poured mare's milk." There was an angel with a trumpet on top, and when the angel blew its horn, some snakes that were coiled around the tree started spitting out wine, mead, and rice beer. Anyway, people used to know how to have a good time.

Writers

Much celebration last night because Jimmy (above, with yours truly) and McKay both "defended" themselves and earned their degrees so now "The Man" says they are "writers." And in this one case, "The Man" is really onto something! Because these two are the real deal, all right. And though I haven't taught in a good long while now, I couldn't be prouder. I felt pretty happy and proud seeing Michael Bible back in town for a visit last night, too, and went around the bar taking a lot of false credit for his achievements as well. These people are writers, man! They can't help it! I didn't have a thing to do with that. I just stood there yelling "Go for it!" Also out celebrating: Megan Abbott, who snapped the photo above. She told me that she read in that Shirley Temple autobiography there used to be Shirley Temple martini pitchers with Shirley's cherubic little face on them! And they came with a helpful slogan for mixing: "Gin to the chin/ Vermouth to the tooth." Speaking of which, you will never believe this, but I have not had even one single little drink in this photo (below) with McKay, though I look as if I just lurched dipsomaniacally into an alley and got rolled for my cash by the Easter bunny, and am still suffering from shock and, possibly, a concussion. McKay, it hardly needs noting, looks like her awesome self. (Regretful footnote: I misheard. It was a Shirley Temple milk pitcher, not a martini pitcher, though some devilish "wags" used it in that perverted way and came up with the handy gin/vermouth mnemonic.)

Richard Dixon

You know how Ward McCarthy and I email back and forth about forgotten comedians you never even heard of. Yesterday we were doing that about David Frye, a Nixon impersonator. Ward wrote, "I was going to tell you that my brother had a poster of him as Nixon in his room, but did some checking first and it turns out it was a poster of Richard Dixon, a Richard Nixon lookalike even more obscure than David Frye." I admitted to Ward that he had stumped me with Richard Dixon. I googled around a little and asked Ward if he knew that there was a movie in which Richard Dixon played Richard Nixon and Mickey Rooney played his guardian angel. "... um, yes - I did. Please don't tell anyone," Ward replied.