By now you are intimately familiar with my new habit of reading old comic books at the close of each busy day. Among the most recent delivery from Tom Franklin was nestled one about Zatanna, the superhero who is also a magician. As you can see in the illustration above, there was an allusion to Phyllis Diller in the old Zatanna comic book. This is important information that I need to relay to McNeil right away. As he is, for all practical purposes, the only person still reading the "blog," I believe that my mission has already been accomplished. But I am going to check in with him privately as well, because I also need to tell him about a double entendre accidentally (?) made by the Flash in the same comic. It is too saucy to be printed here on the "blog." Now, I am sure you will never forget the time I found an owl in an Alan Moore Swamp Thing comic book. And I know you feel as strongly as I do about the time I found out Jan Potocki thought he was a werewolf. (You know, you can "click" on all these "links" to refresh your memory of these matters.) The latter incident caused me, somewhat indirectly, to purchase a copy of Potocki's novel THE MANUSCRIPT FOUND IN SARAGOSSA from Square Books. I could almost swear I already had a copy of it at some remote time in the past, but that mystery is forever shrouded in the mists of my mellow golden yesterdays. Anyhow! This paperback of THE MANUSCRIPT FOUND IN SARAGOSSA features as its cover the very same Goya etching lovingly reproduced in Swamp Thing, bestowing the presence of its own scary owl upon the later work. Whether there is an owl in the text of Potocki's novel, I have not yet had an opportunity to ascertain. However, my happiness remains unmuted, as the coincidence allows me to inform you that one of the old comic books I read last night in bed happened to be a pre-Moore Swamp Thing, in which some punk-rock vampires used hollowed-out pinball machines as coffins. One punk-rock vampire explained the uncanny similarities between being in a mosh pit and his existence as one of the bloodthirsty undead, a monologue that put me in mind of the fear of beatniks exhibited in pop art of an even earlier era.
