As you know, I have given up "blogging" entirely. However, something has occurred which requires immediate comment. You no doubt recall with a bittersweet admixture of reverence and nostalgia the time I noticed the importance of sandwiches to Bergman's SCENES FROM A MARRIAGE. Having recently rewatched the same director's FANNY AND ALEXANDER, I was stunned to discover that it features even more sandwiches than SCENES FROM A MARRIAGE. The exciting prospect of studying the entire Bergman oeuvre from the perspective of sandwiches presents itself. In FANNY AND ALEXANDER, an unusually lenient wife orders up "two cheese sandwiches" for herself and her happy, adulterous husband. Soon, the eponymous children are offered "a molasses sandwich," which the subtitles have in the singular. I will have to learn Swedish for a more complete examination. Moments later, for example, the children are asked to put down the "sandwiches," plural. One may imagine that half of a molasses sandwich is enough for any child. Perhaps the single molasses sandwich was divided in two, becoming, for all practical purposes, two sandwiches. While "half a sandwich" is a traditional unit of sandwich measurement, it is not difficult to picture two halves of the same sandwich, being consumed by two separate people, as "sandwiches." A mystery! I am put in mind of the J.J. Special, a favorite order from Manuel's Tavern in Atlanta. It was a patty melt of sorts, divided into four sections, each held together by a fancy toothpick. At some point, the J.J. Special was changed, and it came to the table cut in half, appallingly like any ordinary sandwich. It took a long time to get used to the new configuration. I should also mention that the J.J. Special might have been the name of the entire order (which came with onion rings AND fries), and not merely the name of the sandwich (see Dr. Frankenstein and his monster). We may further examine two sandwiches of unspecified ingredients in FANNY AND ALEXANDER. The cruel and austere bishop asks for "a sandwich and a glass of milk," while the happy adulterer is promised "a beer and a sandwich" to be served in bed by his indulgent wife. Can it be that a sandwich is the one food that pairs well with either milk or beer? I have put no thought into the question. But surely we may draw many conclusions from the beverage choices of these two very different characters. In conclusion, sandwiches for the happy adulterous Swedish man form somewhat of a framing device in FANNY AND ALEXANDER, as they appear near the beginning and near the end of the film. One might say, then, that the film itself is a sandwich.
