As you know (?), I take my blood pressure twice a day. Before doing so, I sit silently for five minutes, for a ten-minute total per day. And as I sit so silently and still, waiting to take my blood pressure with all the suspense of someone slowly scratching off a lottery ticket, or Charlie Bucket peeling off the wrapper of a chocolate bar, I read a book. To qualify as my "blood pressure book," the book must be a sturdy hardcover with a mighty spine that allows the volume to lie open flat on the table. That is the only requirement. All this you know. But I don't think you knew that my current blood pressure book is a biography of Fernando Pessoa, which is about as long as THE ANATOMY OF MELANCHOLY. Anyhow! And forgive me for going over some of my other reading habits but it's so obviously important. Anyhow! I have also been reading old comic books at night, ever since Tom Franklin brought me some old comic books in the hospital. But I have to say I'm getting tired of the old comic books. Something has... changed. Something in the... I want to say... no I don't... national mood??? I didn't say it! Let's not talk about it! Once I finish the current pile, which is swiftly dwindling, that may be it for old comic books, at least for a while. Old comic books can't soothe me anymore. Anyhow! ANYHOW! I was very surprised, as Pessoa's biographer, Richard Zenith, which sounds like a name young Fernando Pessoa would have made up, analyzed a specific sort of Pessoa poem by saying, and here I quote my blood pressure book, "And the scenes and moods are not only juxtaposed, they also interpenetrate, passing through each other the way Superman passes through walls, without him or the walls losing their structural integrity." Talk about juxtaposing and interpenetrating: at last my blood pressure book and my old comic books had met! BUT WHY? The comparison is striking for a number of reasons, several of which I am about to tell you until you can take no more. First! The allusion does not seem particularly Pessoa-friendly, especially since Pessoa died in 1935, well before the creation of Superman. Now! We must of course admit that the biographer has an advantage, in this case, over his subject... that of still being alive (as far as I know). Therefore, he can draw from any range of examples he likes, including those from a future unimaginable even to his very imaginative subject. BUT! Pessoa is conducting seances just a couple of pages later. Isn't a ghost something that passes through walls? Might not a ghost be a more universally recognizable figure for the average reader, if the average reader pictures something that passes through walls without losing its structural integrity or altering the wall? I hope it is not blasphemous to suggest that one also thinks of Jesus, in his appearance to St. Thomas. But I'm not done! The biographer's Superman example is interesting to me because... do people know Superman can do that? I mean, I do. But I have made a serious study of all his oddest powers. A superhero who is more famous for vibrating through a wall is the Flash, if you know about the Flash, but, of course, more people know about Superman than know about the Flash... yet the question remains! Does the reader with a rudimentary knowledge of Superman realize that he can vibrate through a wall? I have no evidence to back up what I'm about to say, but I suspect that the average reader, if asked to imagine Superman going through a wall, would picture the "Man of Steel" busting right through it with his super fists, like the Kool-Aid man or the Schlitz malt liquor bull, not that my latter two examples were known for using their fists. The Schlitz malt liquor bull, being a hooved quadruped, was not even capable of making a fist! While the Kool-Aid man may or may not have been able to make a fist, I doubt whether he had the arm extension necessary for pounding down a wall with it, especially as he, if I recall correctly, grasped in one hand a pitcher of the same sweet liquid with which his living body was filled. Nevertheless, it can be easily proven with video evidence that both the Kool-Aid man and the Schlitz malt liquor bull BODILY knocked down their walls, as, I put forth, most people would credit Superman with doing as well. (I am including the "beer label" on this "post," even though the Schlitz malt liquor ads issued, according to my hazy memories, the specific command "Don't say beer, say bull!" May the Schlitz malt liquor bull forgive me and not crash through my wall. Amen. Not that I am worshipping a golden calf! Not even a hypothetical one made, unlike the all-too-fleshly Schlitz malt liquor bull, of golden malt liquor, however tempted I might be at this moment to drink a calf-sized container of such a brew.)
