The Eisenstein Effect

Speaking of TV that has commercials in it, I keep meaning to tell you about an ad for cream cheese that was bothering Dr. Theresa, due to the inadvertent suggestion on the part of the cream cheese company, as Dr. Theresa saw it, that the protagonist of their commercial had eaten her (the protagonist's) cat. "They don't understand the Eisenstein effect!" Dr. Theresa shouted on November 1 of this year, a date I can give you with 100% certainty, as I recorded the plaintive outburst in my diary at the time of its occurrence.

Who?

Hey! Do you want to watch MYSTERY CUDDLERS but you couldn't stay up until 3 AM Central Time like I did? I have good news for you. You can see the whole pilot by "clicking" this "link" to the Adult Swim youtube channel. I watched it on TV just the way people did in olden times. I was sitting through a Dawn dishwashing liquid commercial that came on before it and thinking unironically, "This is nourishing my anticipation!" That is the kind of thing I sit around thinking. Then the middle of the show was interrupted by an ad for generic Viagra. Really, nothing could have made me happier. They (some people at the network) asked us just last week, "Uh, where is the commercial break supposed to go?" and Pen and I were like, "Uh-oh! Hmm! Whoops!" Then Pen thought of a funny place where it could go, which made me laugh when it happened at roughly 3:11 AM Central Time, but now that commercial break is lost forever in the history of broadcast television. Before you "click," I should tell you I play an owl on the show, which I only mention because the casual "blog" observer will think I am obsessed with owls. "And now at last," you will be thinking, "he has become one." But is that guy, the one who seems so interested in owls, the "real" me? This is like when I tried to explain my unicorn pin to Hendrik Hertzberg. It really doesn't matter! What I'm saying is that the owl was 100% Pen's idea, and so was me playing the owl, and by "playing the owl," I mean I sat in our bedroom closet saying "Whooooo?" over and over into a microphone I had borrowed from Ace Atkins. In conclusion, MYSTERY CUDDLERS was inspired in very small part by my novel SWEET BANANAS, which I can say without fear of crass self-promotion because that novel existed only in a limited edition of 365 copies with 365 different covers, which are all off the street, and can only be purchased in alleyways, like in GOODFELLAS, when Robert De Niro is telling Lorraine Bracco, "That's right, keep going, yes, that's it, that dark alleyway just to right, go in there," I paraphrase.

Car

Hey, remember how I told you that my dad has been building a car over the past 10 years of weekends, I mean building it from nothing but an idea in his head into a car? Well, he was asked to be in a car show this weekend and I thought I would show you what the car looks like now (see above). He is almost ready to race it! Which Mom continues to be less than thrilled about. I think that will happen within six months. Please do not concern yourself that Dad seems to have sprawled his car over at least one ADA parking space. This is where he was asked to unload it when he first got to the car show. My dad is in compliance with all known laws!

The Last Patty Melt

I see that word has gotten out about MYSTERY CUDDLERS, a pilot created and written by Pen - that's Pendleton Ward! - and me for Adult Swim. They're going to be airing it in the wee small hours of the 19th, as Frank Sinatra would have said, probably, had he been informed of the matter. As I know from reading a biography of Dean Martin, he (Frank's friend Dean) was up at that hour, watching cowboy movies. Dino couldn't sleep! I would be afraid I had just alienated the potential audience if I didn't know for sure that the people who read this "blog" don't exist. So it's going to be on at 3 AM ET, according to the Adult Swim schedule, or 4 AM, according to other places on the "internet," so you'd best cover your bets. Just like Dean Martin would do, I'm assuming, though I'm not even sure what "cover your bets" means. But here I am sitting on all the most important parts! MYSTERY CUDDLERS has an amazing cast we were lucky to get, including Pam Grier and Randall Park as the eponymous cuddlers. Elsewhere in the cast, Maria Bamford! Michael Winslow of POLICE ACADEMY fame! (We wrote a part especially for him. Then we were like, "What if he can't do it???" but he could.) Brian Posehn! "Weird Al" Yankovic! A little kid named Maverick! That's his real name! I consider Maverick my personal discovery. And the boarders! I didn't discover them. They have already been discovered. Another crew of your dreams! Charmaine Verhagen! Graham Falk! Evan Borja! And Pen himself. Yes, yes, now it can be revealed, it was Pen with whom I went to Bob's Big Boy in May of 2023, after a meeting kicking it all off. There I consumed perhaps my final patty melt, given recent... events. It was good! Oh yeah, and the music is by Joe Wong! To the show, not to the patty melt. Though if Joe wanted to, he could write a good tone poem evoking a patty melt. Looking over my ancient emails I see that interest in MYSTERY CUDDLERS was proclaimed by the network in July 2022, and you know what? From what I've noticed about this business - ha ha! I have noticed almost nothing about this business - this all seems like really fast work (I was just in Los Angeles a few weeks ago for the final sound mix!) and I'm really happy you'll get to see it soon. Everybody who worked on it is great and nice and easy to work with and I hope you will scrutinize the credits frame by frame and appreciate everyone you find there and I'm very sorry that I'm far too lazy to type a complete list here. Wait! Maybe I meant "hedge your bets." POSTSCRIPT! It's definitely 4 AM Eastern/3 AM Central. You see, Adult Swim's "web" site was sneakily, if efficiently, pitying me as a pathetic inhabitant of the Central Time Zone, and automatically updating my "browsing" experience to reflect my location... which I guess it is tracking, and no doubt handing over to the proper authortities.

Everybody's Talking

Last night Dr. Theresa and I were watching a TV show which, despite taking place in our up-to-date modern times, had a plot point about Alexander the Great's horse, then I got in bed and read a book by Joaquim Maria Machado de Assis instead of an old comic book, and the narrator mentioned Alexander the Great's horse, then I decided it was no big deal because everybody is always talking about Alexander the Great's horse.

Passing Through

As you know (?), I take my blood pressure twice a day. Before doing so, I sit silently for five minutes, for a ten-minute total per day. And as I sit so silently and still, waiting to take my blood pressure with all the suspense of someone slowly scratching off a lottery ticket, or Charlie Bucket peeling off the wrapper of a chocolate bar, I read a book. To qualify as my "blood pressure book," the book must be a sturdy hardcover with a mighty spine that allows the volume to lie open flat on the table. That is the only requirement. All this you know. But I don't think you knew that my current blood pressure book is a biography of Fernando Pessoa, which is about as long as THE ANATOMY OF MELANCHOLY. Anyhow! And forgive me for going over some of my other reading habits but it's so obviously important. Anyhow! I have also been reading old comic books at night, ever since Tom Franklin brought me some old comic books in the hospital. But I have to say I'm getting tired of the old comic books. Something has... changed. Something in the... I want to say... no I don't... national mood??? I didn't say it! Let's not talk about it! Once I finish the current pile, which is swiftly dwindling, that may be it for old comic books, at least for a while. Old comic books can't soothe me anymore. Anyhow! ANYHOW! I was very surprised, as Pessoa's biographer, Richard Zenith, which sounds like a name young Fernando Pessoa would have made up, analyzed a specific sort of Pessoa poem by saying, and here I quote my blood pressure book, "And the scenes and moods are not only juxtaposed, they also interpenetrate, passing through each other the way Superman passes through walls, without him or the walls losing their structural integrity." Talk about juxtaposing and interpenetrating: at last my blood pressure book and my old comic books had met! BUT WHY? The comparison is striking for a number of reasons, several of which I am about to tell you until you can take no more. First! The allusion does not seem particularly Pessoa-friendly, especially since Pessoa died in 1935, well before the creation of Superman. Now! We must of course admit that the biographer has an advantage, in this case, over his subject... that of still being alive (as far as I know). Therefore, he can draw from any range of examples he likes, including those from a future unimaginable even to his very imaginative subject. BUT! Pessoa is conducting seances just a couple of pages later. Isn't a ghost something that passes through walls? Might not a ghost be a more universally recognizable figure for the average reader, if the average reader pictures something that passes through walls without losing its structural integrity or altering the wall? I hope it is not blasphemous to suggest that one also thinks of Jesus, in his appearance to St. Thomas. But I'm not done! The biographer's Superman example is interesting to me because... do people know Superman can do that? I mean, I do. But I have made a serious study of all his oddest powers. A superhero who is more famous for vibrating through a wall is the Flash, if you know about the Flash, but, of course, more people know about Superman than know about the Flash... yet the question remains! Does the reader with a rudimentary knowledge of Superman realize that he can vibrate through a wall? I have no evidence to back up what I'm about to say, but I suspect that the average reader, if asked to imagine Superman going through a wall, would picture the "Man of Steel" busting right through it with his super fists, like the Kool-Aid man or the Schlitz malt liquor bull, not that my latter two examples were known for using their fists. The Schlitz malt liquor bull, being a hooved quadruped, was not even capable of making a fist! While the Kool-Aid man may or may not have been able to make a fist, I doubt whether he had the arm extension necessary for pounding down a wall with it, especially as he, if I recall correctly, grasped in one hand a pitcher of the same sweet liquid with which his living body was filled. Nevertheless, it can be easily proven with video evidence that both the Kool-Aid man and the Schlitz malt liquor bull BODILY knocked down their walls, as, I put forth, most people would credit Superman with doing as well. (I am including the "beer label" on this "post," even though the Schlitz malt liquor ads issued, according to my hazy memories, the specific command "Don't say beer, say bull!" May the Schlitz malt liquor bull forgive me and not crash through my wall. Amen. Not that I am worshipping a golden calf! Not even a hypothetical one made, unlike the all-too-fleshly Schlitz malt liquor bull, of golden malt liquor, however tempted I might be at this moment to drink a calf-sized container of such a brew.)

Out of the Murk

Well, I've had this copy of MERCIER AND CAMIER on the shelf for 20 years, at least, I bet, without opening it. Probably more like 30! Did I read in a Samuel Beckett biography that he didn't like it much? I don't know. Maybe not. Something kept me away from it. I don't know what. It was on just the shelf where I thought it might be, though. The pages are brown with age. A sticker on the front tells me I bought it used at A Cappella Books. Six dollars! Which seems like a lot. The back cover claims that it is "the first paperback edition" of the work. I knew an owl would be too on the nose, and I was right. I did not find an owl. For a while, the dual protagonists... and that's how I ended up reading it. Tom Franklin texted me, asking about novels with "dual protagonists" (of which he has written a couple himself). That's how MERCIER AND CAMIER popped into my old noggin. Anyhow, Mercier and Camier are stumbling around in the dark for a long time, out in the middle of nowhere, perfect place for an owl... too perfect. "Strange animals loom, giant horses and cows, out of the murk do you but raise your head." Then, on the next-to-last page, as if to taunt me, "We did not meet many animals, said Camier."